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LEADER 02125cam a22003974a 4500

001 ocm63108318;

003 OCoLC;

005 20141211191859.0;

008 060109s2006 nyua b 001 0 eng ;

010 a| 2006000645;

020 a| 0820481572 (hardcover : alk. paper);

035 a| (Sirsi) o63108318;

035 a| (OCoLC)63108318;

042 a| pcc;

049 a| EREM;

050 00 a| ML82b| .I38 2006;

082 00 a| 782.42082/09432| 22;

100 1 a| Iitti, Sanna,d| 1966-=| ^A699392;

245 14 a| The feminine in German song /c| Sanna Iitti.;

300 a| xiv, 219 pages :b| illustrations ;c| 24 cm;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

504 a| Includes bibliographical references (pages 187-210) and index.;

505 00 t| Epistemological position: defining femininity from a post-structuralist feminist perspective and introducing the central problems of the study --t| The foundations of a historical theory of femininity in 19th-century German music --t| Femininity and orientalism --t| The feminine as gendered chaos: social and psychological forces --t| Constructions of the feminine libido in German song --g| Conclusions.;

520 a| The author argues about ways to hear sexual differences in Lied, analyzing musical compositions in the light of the composer biographies and in terms of musical gestures. Her comparison of the Suleika and Lorelei songs by Romantic composers, including the Mendelssohns and the Schumanns, reveals cultural and sexual anxieties besides conflicting arguments about music and its perception.;

650 0 a| Feminism and music.=| ^A273459;

650 0 a| Gender identity in music.=| ^A402506;

650 0 a| Musicx| Semiotics.=| ^A271201;

650 0 a| Songs, Germany| 19th centuryx| History and criticism.=| ^A1019199;

994 a| C0b| ERE;

596 a| 3;

998 a| 1055029;

999 a| ML82 .I38 2006w| LCc| 1i| 30372013673667d| 3/15/2022e| 2/11/2022f| 12/18/2024g| 4l| MCSm| JMUSICn| 3p| $69.95r| Ys| Yt| MCSSBKu| 9/20/2006x| BOOKz| MCIRCo| .STAFF. 0;

The feminine in German song / Sanna Iitti.

Author/creator	Iitti, Sanna, 1966-
Format	Book
Publication Info	New York : Peter Lang, ©2006.
Description	xiv, 219 pages : illustrations ; 24 cm
Subjects	Feminism and music. Gender identity in music. Music--Semiotics. Songs, German--19th century. --History and criticism.

Contents	Epistemological position: defining femininity from a post-structuralist feminist perspective and introducing the central problems of the study -- The foundations of a historical theory of femininity in 19th-century German music -- Femininity and orientalism -- The feminine as gendered chaos: social and psychological forces -- Constructions of the feminine libido in German song -- Conclusions.
Abstract	The author argues about ways to hear sexual differences in Lied, analyzing musical compositions in the light of the composer biographies and in terms of musical gestures. Her comparison of the Suleika and Lorelei songs by Romantic composers, including the Mendelssohns and the Schumanns, reveals cultural and sexual anxieties besides conflicting arguments about music and its perception.
Bibliography note	Includes bibliographical references (pages 187-210) and index.
LCCN	2006000645
ISBN	0820481572 (hardcover : alk. paper)

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Music	Closed Stacks - Ask at Circulation Desk	ML82 .I38 2006	✔ Available	Place Hold

The feminine in German song / Sanna Iitti.

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