Tools

LEADER 03283cam a22004094a 4500

001 ocm59879667;

003 OCoLC;

005 20141211184232.0;

008 050422s2006 nyu b 001 0 eng ;

010 a| 2005011643;

020 a| 0815335717 (hardback : alk. paper);

035 a| (Sirsi) o59879667;

035 a| (OCoLC)59879667;

040 a| DLCc| DLCd| UtOrBLW;

042 a| pcc;

049 a| EREM;

050 00 a| ML3845b| .A66 2006;

082 00 a| 780/.922| 22;

245 00 a| Apparitions :b| new perspectives on Adorno and twentieth century music /c| edited by Berthold Hoeckner.;

260 a| New York :b| Routledge,c| 2006.;

300 a| xvi, 226 pages ;c| 24 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Studies in contemporary music and culture;

504 a| Includes bibliographical references and index.;

520 a| Apparitions takes a new look at the critical legacy of one of the 20th century's most important and influential thinkers about music, Theodor W. Adorno. Bringing together an international group of scholars, the book offers new historical and critical insights into Adorno's theories of music and how these theories, in turn, have affected the study of contemporary art music, popular music, and jazz. The essays review the impact of Philosophy of New Music after World War II, examine Adorno's struggle to adapt his aging philosophy to the new music of the 1950s and 1960s, and trace his influence on recent composers. Several essays in this volume also re-evaluate Adorno's controversial contribution to the study of popular music and jazz, as well as his theories of mass media and mass culture in the context of an increasing consolidation of corporate and political power in the entertainment industry. This volume will be indispensable for both scholars and students of Adorno, who seek a historical context and a critical assessment of some of his most influential as well as most contested writings on music.;

600 10 a| Adorno, Theodor W.,d| 1903-1969x| Criticism and interpretation.=| ^A30472;

650 0 a| Music and philosophy.=| ^A609491;

650 0 a| Musicy| 20th centuryx| Philosophy and aesthetics.=| ^A1037283;

700 1 a| Hoeckner, Berthold,e| editor.=| ^A529262;

830 0 a| Studies in contemporary music and culture.=| ^A691397;

994 a| C0b| ERE;

596 a| 3;

998 a| 1020292;

999 a| ML3845 .A66 2006w| LCc| 1i| 30372012925035d| 7/17/2014e| 8/21/2008f| 4/25/2024g| 4l| MSTm| JMUSICn| 1p| $79.80r| Ys| Yt| MGESBKu| 12/22/2005x| BOOKz| MCIRCo| .STAFF. enhanced 1/23/24 -jjab;

Apparitions : new perspectives on Adorno and twentieth century music / edited by Berthold Hoeckner.

Other author	Hoeckner, Berthold, editor.
Format	Book
Publication Info	New York : Routledge, 2006.
Description	xvi, 226 pages ; 24 cm.
Subjects	Adorno, Theodor W., 1903-1969--Criticism and interpretation. Music and philosophy. Music--20th century. --Philosophy and aesthetics.

Series	Studies in contemporary music and culture Studies in contemporary music and culture. ^A691397
Contents	Drifting: the dialectics of Adorno's Philosophy of new music / Daniel K.L. Chua -- Labor and metaphysics in Hindemith's and Adorno's statements on counterpoint / Keith Chapin -- Dire cela, sans savoir quoi: the question of meaning in Adorno and in the musical avantgarde / Gianmario Borio -- The elliptical geometry of Utopia: new music since Adorno / Julian Johnson -- Wolfgang Rihm and the Adorno legacy / Alastair Williams -- Frankfurt school blues: rethinking Adorno's critique of jazz / James Buhler -- "Die Zerstörung der Symphonie": Adorno and the theory of radio / Larson Powell -- Music, corporate power, and the age of the unending war / Martin Scherzinger.
Abstract	Apparitions takes a new look at the critical legacy of one of the 20th century's most important and influential thinkers about music, Theodor W. Adorno. Bringing together an international group of scholars, the book offers new historical and critical insights into Adorno's theories of music and how these theories, in turn, have affected the study of contemporary art music, popular music, and jazz. The essays review the impact of Philosophy of New Music after World War II, examine Adorno's struggle to adapt his aging philosophy to the new music of the 1950s and 1960s, and trace his influence on recent composers. Several essays in this volume also re-evaluate Adorno's controversial contribution to the study of popular music and jazz, as well as his theories of mass media and mass culture in the context of an increasing consolidation of corporate and political power in the entertainment industry. This volume will be indispensable for both scholars and students of Adorno, who seek a historical context and a critical assessment of some of his most influential as well as most contested writings on music.
Bibliography note	Includes bibliographical references and index.
LCCN	2005011643
ISBN	0815335717 (hardback : alk. paper)

Availability

Library	Location	Call Number	Status	Item Actions
Music	Music Stacks	ML3845 .A66 2006	✔ Available	Place Hold

Apparitions : new perspectives on Adorno and twentieth century music / edited by Berthold Hoeckner.

Click here for more information about this title

Availability