| Contents |
Foreward / Isabel Bader -- Foreward / David and Daniel Bader -- Editors' foreward and acknowledgements / Volker Manuth, Axel Rüger -- A Dou for Boston / Ronni Baer -- Balthasar Coymans's Italian paintings and Annibale Carracci's melancholy / Jonathan Bikker -- Rembrandt in Oxford / Christopher Brown -- Reflections on three landscapes by Jacob van Ruisdael / George S. Keyes -- Adam Elsheimer - Bemerkungen zur Rezeption seiner Kunst im Norden / Rüdiger Klessmann -- The meaning of Rembrandt's Aristotole with a bust of Homer / Walter Liedtke -- Tobias, Anna und das Böckchen: Variationen über ein Thema aus dem Buch Tobias von Rembrandt und Gerbrand van den Eeckhout / Volker Manuth -- An early work by Willem van Herp / Gregory Martin -- A new discovered drawing by Jacques de Gheyn II / David McTavish -- Temple of Jerusalem etchings for the bible by Wenceslaus Hollar / Pierre de la Ruffinière du Prey -- Two drawings by Jan Harmensz. Muller: a tale of two floods? / William W. Robinson -- Ein Palastinterieur von Bartholomeus van Bassen - Beobachtungen zur Arbeitsmethode anhand der Unterzeichnung / Axel Rüger -- Seeing things: The Alchemist and Death by Thomas Wyck / Jane Russell Corbett -- Jacob van Ruisdael's clientele / Seymour Slive -- Crossing the 'north-south divide': the young Lievens, Van Dyck, Rubens and Rembrandt; connections and influences / J. Douglas Stewart -- Jerusalem, Du Schöne! Das Wesen der Dinge / Astrid Tümpel -- Arent de Gelder's religious iconography / Christian Tümpel -- The framing of a Vermeer / Arthur K. Wheelock, Jr -- A name for a ridiculous man / Clovis Whitfield -- Paper trails: drawings in the work of Caspar Netscher and his studio / Marjorie E. Wieseman -- The Scholar by Candelight and Rembrandt's early transition / David de Witt -- Hebrew kings and Antwerp mannerists / Martha Wolff. |
