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LEADER 03870cam a22004334a 4500

001 ocm60590192;

003 OCoLC;

005 20141211184210.0;

008 050603s2005 miuag b 001 0 eng ;

010 a| 2005050269;

020 a| 0899901298;

035 a| (Sirsi) o60590192;

035 a| (OCoLC)60590192;

041 1 a| engh| ger;

042 a| pcc;

049 a| EREM;

050 00 a| ML174b| .F613 2005;

082 00 a| 780/.1/482| 22;

100 1 a| Floros, Constantin.=| ^A110472;

240 10 a| Einführung in die Neumenkunde.l| English=| ^A626886;

245 10 a| Introduction to early medieval notation /c| Constantin Floros ; revised, translated, and with an illustrated chapter on cheironomy, by Neil K. Moran.;

250 a| Enlarged 2nd edition.;

260 a| Warren, Mich. :b| Harmonie Park Press,c| 2005.;

300 a| xxiv, 171 pages :b| illustrations, music ;c| 23 cm.;

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Detroit monographs in musicology/Studies in music ;v| no. 45.;

504 a| Includes bibliographical references (pages 153-166) and index.;

505 00 t| Toward a universal theory of neumes.t| Fundamentals ;t| Political, ecclesiastical, and musical connections between Rome and Constantinople in the sixth, seventh, and eighth centuries ;t| Connections between Byzantine and middle Latin music theory: the twelve mode system ;t| Matters of terminology: neumae, neumata and notae, semadia, tonoi and mele: the theory of neumes as a facet of paleography and of the theory of musical figures ;t| Cheironomy in the west and east --t| Byzantine notations.t| Characteristics of Byzantine music ;t| Repertory and stylistic diversity of Byzantine church music in the "classical" period (tenth to thirteenth centuries) ;t| Systems and stages of Byzantine notation ;t| Prosodic signs and Ekphonetic notaton ;t| Characteristics of Chartres and Coislin notation ;t| Hagiopolitan classification of the neume repertory ;t| Toward a systematic classification of the neume repertory ;t| Stages of Paleobyzantine notations ;t| The system of middle Byzantine notation ;t| The modal system of Byzantine church music: the intonation formulas (echemata) and the martyriai ;t| The transcription of Adiastematic neumatic notation: parallel transcriptions and transcriptions in campo aperto --t| Early Slavonic notations.t| Synopsis ;t| Views about Sematic notation prior to 1960 ;t| Adaptation of church Slavonic texts to original Greek melodies ;t| Deciphering sematic notation: parallel transcriptions and transcriptions in campo aperto ;t| Views about Kondakarian notation prior to 1963 ;t| Deciphering Kondakarian notation --t| Latin neumes.t| The age of Latin neumes ;t| Notations without lines: adiastematic and diastematic neumes ;t| Neumes on lines ;t| Square notation and gothic notations ;t| The chant notation of the Vatican edition ;t| Names of the Latin neumes ;t| Classification of Latin neumes ;t| Simple neumes ;t| Compound neumes ;t| Ornamental neumes ;t| Liquescent neumes ;t| Significative letters ;t| Families of neumes: "accent" neumes, "point" neumes and "mixed" neumes ;t| A topography of neumes ;t| Characteristics of various regional notations ;t| The origin of the neumes ;t| Recent publications in neumatic notation --t| Cheironomy and music notation.;

650 0 a| Neumes.=| ^A32475;

700 1 a| Moran, Neil K.,e| translator.=| ^A608406;

830 0 a| Detroit monographs in musicology/Studies in music ;v| no. 45.=| ^A281112;

994 a| C0b| ERE;

596 a| 3;

998 a| 1019535;

999 a| ML174 .F613 2005w| LCc| 1i| 30372013508996d| 3/23/2026e| 3/17/2026f| 4/8/2024g| 5l| MSTm| JMUSICn| 13q| 9r| Ys| Yt| MGESBKu| 12/13/2005x| BOOKz| MCIRCo| .STAFF. 0;

Introduction to early medieval notation / Constantin Floros ; revised, translated, and with an illustrated chapter on cheironomy, by Neil K. Moran.

Author/creator	Floros, Constantin
Other author	Moran, Neil K., translator.
Format	Book
Edition	Enlarged 2nd edition.
Publication Info	Warren, Mich. : Harmonie Park Press, 2005.
Description	xxiv, 171 pages : illustrations, music ; 23 cm.
Subjects	Neumes.

Uniform title	Einführung in die Neumenkunde. English
Series	Detroit monographs in musicology/Studies in music ; no. 45. Detroit monographs in musicology/Studies in music ; no. 45. ^A281112
Contents	Toward a universal theory of neumes. Fundamentals ; Political, ecclesiastical, and musical connections between Rome and Constantinople in the sixth, seventh, and eighth centuries ; Connections between Byzantine and middle Latin music theory: the twelve mode system ; Matters of terminology: neumae, neumata and notae, semadia, tonoi and mele: the theory of neumes as a facet of paleography and of the theory of musical figures ; Cheironomy in the west and east -- Byzantine notations. Characteristics of Byzantine music ; Repertory and stylistic diversity of Byzantine church music in the "classical" period (tenth to thirteenth centuries) ; Systems and stages of Byzantine notation ; Prosodic signs and Ekphonetic notaton ; Characteristics of Chartres and Coislin notation ; Hagiopolitan classification of the neume repertory ; Toward a systematic classification of the neume repertory ; Stages of Paleobyzantine notations ; The system of middle Byzantine notation ; The modal system of Byzantine church music: the intonation formulas (echemata) and the martyriai ; The transcription of Adiastematic neumatic notation: parallel transcriptions and transcriptions in campo aperto -- Early Slavonic notations. Synopsis ; Views about Sematic notation prior to 1960 ; Adaptation of church Slavonic texts to original Greek melodies ; Deciphering sematic notation: parallel transcriptions and transcriptions in campo aperto ; Views about Kondakarian notation prior to 1963 ; Deciphering Kondakarian notation -- Latin neumes. The age of Latin neumes ; Notations without lines: adiastematic and diastematic neumes ; Neumes on lines ; Square notation and gothic notations ; The chant notation of the Vatican edition ; Names of the Latin neumes ; Classification of Latin neumes ; Simple neumes ; Compound neumes ; Ornamental neumes ; Liquescent neumes ; Significative letters ; Families of neumes: "accent" neumes, "point" neumes and "mixed" neumes ; A topography of neumes ; Characteristics of various regional notations ; The origin of the neumes ; Recent publications in neumatic notation -- Cheironomy and music notation.
General note	Originally published as Einführung in die Neumenkunde, copyright 1980 by Heinrichshofen's Verlag Wilhelmshaven.
Bibliography note	Includes bibliographical references (pages 153-166) and index.
LCCN	2005050269
ISBN	0899901298

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Music	Music Stacks	ML174 .F613 2005	✔ Available	Place Hold

Introduction to early medieval notation / Constantin Floros ; revised, translated, and with an illustrated chapter on cheironomy, by Neil K. Moran.

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