| Contents |
The new international novel: Diane Johnson's Le divorce and Le mariage -- Intertextual travel and translation: Rose Tremain's The way I found her -- Routes and routes: postmodern paradox in Joanne Harris's Chocolat -- Back to the future: nation and nostalgia in Joanne Harris's Blackberry wine -- Mosaics of the might-have-been: metaphor, migration, and multiculturalism in Claire Messud's The last life -- Modernism and mystery: the curious case of the lost generation -- Museum, maze, madhouse: Sarah Smith's "Theatre du monde" -- The re-zoning of gay Paris: Edmund White's The married man -- Dane Johnson's L'Affaire. |
