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001 ocm56911832;

003 OCoLC;

005 20141211183030.0;

008 041102s2005 inua bk 001 0 eng ;

010 a| 2004026035;

020 a| 0253345413 (cloth : alk. paper);

020 a| 0253217520 (pbk. : alk. paper);

035 a| (Sirsi) o56911832;

035 a| (OCoLC)56911832;

042 a| pcc;

049 a| EREM;

050 00 a| ML3487b| .L58 2005;

082 00 a| 781.64/09812| 22;

100 1 a| Livingston, Tamara Elena,d| 1963-=| ^A603801;

245 10 a| Choro :b| a social history of a Brazilian popular music /c| Tamara Elena Livingston-Isenhour and Thomas George Caracas Garcia.;

300 a| xv, 254 pages :b| illustrations ;c| 25 cm +e| 1 audio disc (digital ; 4 3/4 in.);

336 a| text2| rdacontent;

337 a| unmediated2| rdamedia;

338 a| volume2| rdacarrier;

490 1 a| Profiles in popular music;

504 a| Includes bibliographical references (pages 227-237), discography (pages 239-243), and index.;

505 0 a| Race, class, and nineteenth-century popular music: the modinha, the lundu, and the maxixe -- The roda de choro: heart and soul of choro -- From the plantation to the city: the rise and development of early choro in Rio de Janeiro (1870-1920) -- From the terno to the regional: the professionalization of choro -- The velha guarda in the new Brazil: choro in the 1950s and 1960s -- The choro revival -- Contemporary choro -- Choro and the Brazilian classical tradition.;

520 a| Choro is a type of Brazilian popular music similar in background to the celebrated Cuban son of Buena Vista Social Club fame. Choro started in Rio de Janeiro as a fusion of African-based rhythms and structures with European instruments and dance forms. In the 20th century, it came to represent social and racial diversity in Brazil and was integrated into mainstream film, radio, and recordings throughout Latin America and Europe. It formed a basis for Brazilian jazz and influenced the music of Heitor Villa Lobos. Today choro is viewed as a type of popular folk/traditional music in its own right. Its history parallels that of race, class, and nationality in Brazil over the last 100 years.;

650 0 a| Chorosx| History and criticism.=| ^A692471;

650 0 a| Popular instrumental musicz| Brazilx| History and criticism.=| ^A354263;

650 0 a| Dance musicz| Brazilx| History and criticism.=| ^A215010;

700 1 a| Garcia, Thomas George Caracas.=| ^A603802;

830 0 a| Profiles in popular music.=| ^A585492;

994 a| C0b| ERE;

596 a| 3;

998 a| 1007967;

999 a| CD-7922w| ALPHANUMc| 1i| 30372013350456d| 6/12/2017e| 7/11/2008f| 6/12/2017g| 2l| MMEm| JMUSICn| 7r| Ys| Yt| MMESCDu| 9/1/2005x| CDz| MMEDIAo| .STAFF. 0;

999 a| ML3487 .L58 2005w| LCc| 1i| 30372013350449d| 7/16/2014e| 11/27/2005f| 4/11/2024g| 4l| MSTm| JMUSICn| 1p| $23.70r| Ys| Yt| MGESBKu| 9/1/2005x| BOOKz| MCIRCo| .STAFF. enhanced 9/17/23 -jjab;

Choro : a social history of a Brazilian popular music / Tamara Elena Livingston-Isenhour and Thomas George Caracas Garcia.

Author/creator	Livingston, Tamara Elena, 1963-
Other author	Garcia, Thomas George Caracas.
Format	Book
Publication Info	Bloomington : Indiana University Press, ©2005.
Description	xv, 254 pages : illustrations ; 25 cm + 1 audio disc (digital ; 4 3/4 in.)
Subjects	Choros--History and criticism. Popular instrumental music--Brazil. --History and criticism. Dance music--Brazil. --History and criticism.

Series	Profiles in popular music Profiles in popular music. ^A585492
Contents	Race, class, and nineteenth-century popular music: the modinha, the lundu, and the maxixe -- The roda de choro: heart and soul of choro -- From the plantation to the city: the rise and development of early choro in Rio de Janeiro (1870-1920) -- From the terno to the regional: the professionalization of choro -- The velha guarda in the new Brazil: choro in the 1950s and 1960s -- The choro revival -- Contemporary choro -- Choro and the Brazilian classical tradition.
Abstract	Choro is a type of Brazilian popular music similar in background to the celebrated Cuban son of Buena Vista Social Club fame. Choro started in Rio de Janeiro as a fusion of African-based rhythms and structures with European instruments and dance forms. In the 20th century, it came to represent social and racial diversity in Brazil and was integrated into mainstream film, radio, and recordings throughout Latin America and Europe. It formed a basis for Brazilian jazz and influenced the music of Heitor Villa Lobos. Today choro is viewed as a type of popular folk/traditional music in its own right. Its history parallels that of race, class, and nationality in Brazil over the last 100 years.
Bibliography note	Includes bibliographical references (pages 227-237), discography (pages 239-243), and index.
LCCN	2004026035
ISBN	0253345413 (cloth : alk. paper)
ISBN	0253217520 (pbk. : alk. paper)

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Library	Location	Call Number	Status	Item Actions
Music	Music Media - Ask at Circulation Desk	CD-7922	✔ Available	Place Hold
Music	Music Stacks	ML3487 .L58 2005	✔ Available	Place Hold

Choro : a social history of a Brazilian popular music / Tamara Elena Livingston-Isenhour and Thomas George Caracas Garcia.

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