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Cibber, Theophilus, 1703-1758
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Love a-la-mode : a comedy, in two acts : as performed at the theatres Drury-lane, Covent-Garden, and New-York
by
Macklin, Charles, approximately 1697-1797
1811
Format:
Book and Microform
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Joyner - NC Microfiche
Call Number:
MICROFICHE AM35 SER. 2 NO. 23269
Love a-la-mode : a comedy, in two acts : as performed at the theatres Drury-lane, Covent-Garden, and New-York
by
Macklin, Charles, approximately 1697-1797
1811
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The devil to pay; or, the wives metamorphos'd : An opera. Taken from the manager's book, at the Theatre Royal in Drury-Lane
by
Coffey, Charles, -1745
1790
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Love-a-la-mode : a comedy of two acts
by
Macklin, Charles, approximately 1697-1797
1784
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Book and Microform
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Joyner - Microforms B300
Call Number:
MICROFICHE T413 M218.1L
The devil to pay: or, the wives metamorphos'd : An opera. As it is performed at the Theatres-Royal, by His Majesty's servants
by
Coffey, Charles, -1745
1771
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The Devil to pay: or, The wives metamorphos'd : An opera. As it is performed at the Theatre Royal in Drury-Lane, by His Majesty's servants
by
Coffey, Charles, -1745
1761
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The devil to pay: or, the wives metamorphos'd : An operatical farce. As it is perform'd at the Theatre-Royal in Drury-Lane. By His Majesty's servants. Newly adapted to the stage, with the addition of several new songs
by
Coffey, Charles, -1745
1760
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The devil to pay: or, The wives metamorphos'd : An operatical farce. As it is perform'd at the Theatre-Royal in Drury-Lane. By His Majesty's servants. Newly adapted to the stage, with the addition of several new songs
by
Coffey, Charles, -1745
1760
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Electronic and Book
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The devil to pay: or, The wives metamorphos'd. An operatical farce : As it is perform'd at the Theatre-Royal in Drury-Lane. By His Majesty's servants. Newly adapted to the stage, with the addition of several new songs
by
Coffey, Charles, -1745
1760
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Theophilus clibber, to David Garrick, Esq : With dissertations on theatrical subjects. I. Of poets and actors, their antiquity, and estimation;- particularly among the Greeks and Romans:- acting of plays encouraged by the greatest men in all ages. II. Socrates, Epaminondas, Cs̆ar, Scipio, Brutus, Ciceso, &c. promoters of dramatic compositions, encouragers of actors, &c. III. The apostles no enemies to plays: quotations form Holy Writ, and of some modern divines in their favour. History of patents and licences, from Queen Elizabeth's time to the present, chiefly granted in favour of the actors. IV. Good conduct of Patentees: pantomimes exploded;- the ill usage of authors considered. V. Some new and revived pieces reviewed. The new manner of acting pointed out. An account of drolls, farces, mock opera's, &c. Extracted from Shakespear's multilated and macerated remains, by the Little Charlatan of the present stage. VI. The rehearsal versed,- mimicry an abuse; specimens of modern genteel comedy. Ditto of modern tragedy. VII. The new manner of acting the chances, - and the morals of that play enquired into. VIII. Seneca,- callipedes, - and a reigning actor, compared. The cause of spouters, &c. Adorn'd wtih a frontpiece, and curious copper-plate
by
Cibber, Theophilus, 1703-1758
1759
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