LEADER 02531cam 2200445 a 4500001 ocm50503522 003 OCoLC 005 20141212165645.0 008 020821s2003 ohu b s001 0 eng 010 2002013495 020 0814209289 (hardcover : alk. paper) 020 0814251080 (pbk. : alk. paper) 020 0814290116 (CD-ROM) 035 (Sirsi) o50503522 035 (OCoLC)50503522 040 DLC |cDLC |dC#P |dUtOrBLW 049 EREE 050 00 PN56.5.W64 |bW375 2003 082 00 809/.89287 |221 100 1 Warhol, Robyn R. |=^A252226 245 10 Having a good cry : |beffeminate feelings and pop-culture forms / |cRobyn R. Warhol. 260 Columbus : |bOhio State University Press, |c©2003. 300 xx, 148 pages ; |c23 cm. 336 text |2rdacontent 337 unmediated |2rdamedia 338 volume |2rdacarrier 490 1 The Theory and interpretation of narrative series 504 Includes bibliographical references (p. 135-142) and index. 505 0 Introduction: effeminacy, feelings, forms. Effeminacy: a third term for gender studies -- Feelings: how do you really feel? -- Forms: feminist narratology and close reading -- The cry: effeminate sentimentalism. Having a good cry -- Sentimentalism and sexism -- A narratology of good-cry techniques -- Crying over The color purple -- The cringe: marriage plots, effeminacy, and feminist ambivalence. Reading too closely for comfort -- Discomforts of reading Pretty woman -- The thrill and the yawn: antieffeminate structures of feeling in serial forms. Self-conscious serial forms -- Reading the (boring) Victorian serial -- Antieffeminate affect -- E-mail as an antieffeminate form -- Bending gender and the habits of affect -- The climax and the undertow: effeminate intensities in soap opera. Who is the "I" who watches soaps? -- Intensities and long-term viewing -- Effeminate feeling and soap form -- Afterword: the reader's body from the inside out. 600 10 Television and women. |?UNAUTHORIZED 650 0 Women and literature. |=^A121473 650 0 Women |xPsychology. |=^A4203 650 0 Emotions. |=^A1062 830 0 Theory and interpretation of narrative series. |=^A378900 994 X0 |bERE 910 PromptCat 980 2003-03-05 |b22.95 |d1.53 |e21.8 |f165326 596 1 998 902576