| Contents |
Problems in the iconography of the art of the Crusaders in the Holy Land : 1098-1291/1917-1997 / Jaroslav Folda -- Iconography of rejection : Jews and other monstrous races / Debra Hassig -- Nipples, entrails, severed heads, and skin : devotional images for Madame Marie / Alison Stones -- Moral structure in the Ashburnham Pentateuch / Dorothy Hoogland Verkerk -- Woman's power of prayer versus the Devil in a book of Hours of ca. 1300 / Adelaide Bennett -- Interpictoriality in the Limoges chasses of Stephen, Martial, and Valerie / Cynthia Hahn -- "Of the significance of colours" : the iconography of colour in Romanesque and early Gothic book illumination / Andreas Petzold -- Looking eastward : the story of Noe at Monreale Cathedral / James D'Emilio -- Architecture and scuplture of the portal of the south side of Arezzo Cathedral / Giovanni Freni -- Daring conflation? : a difficult image in the Genesis sequence of the Eton Roundels (Eton College, Ms. 177, f.2r) / Avril Henry -- Personal appropriation of iconographic forms : two Franciscan signatures / John V. Fleming -- How to improve art-historical services / Lutz Heusinger -- Persistence of mythological, religious, and literary narratives as subjects of works of art / Helene E. Roberts -- Iconography of The ship of state by Peter Paul Rubens : a variant on the theme "Hercules am Scheidewege" / Peter Van Huisstede -- ICONCLASS and its application to primary documents / Carol Togneri -- Ululas Athenas : owls to Athens / Hans Brandhorst -- Translating ICONCLASS and the connectivity concept of the Iconclass2000 browser / Jörgen Van Den Berg and Gerda G.J. Duijfjes-Vellekoop. |
