LEADER 06883nam 2200577 i 4500001 ssj0002991497 003 WaSeSS 005 20240312082108.0 006 m d 007 cr n 008 170426s2017 enka sb 001 0 eng d 010 2017941119 020 9780199580033 |q(hardback) 020 0199580030 |q(hardback) 035 (WaSeSS)ssj0002991497 040 EUM |beng |cEUM |dOCLCO |dNLE |dCHVBK |dOCLCO |dOCLCF |dOCLCQ |dTLE |dCBY |dOSU |dXII |dORU |dOBE |dDLC |dWaSeSS 042 pcc 049 EREENEHH 050 00 PR769 |b.P76 2017 082 00 823/.009 |223 245 00 Prose fiction in English from the origins of print to 1750 |h[electronic resource] / |cedited by Thomas Keymer. 250 First edition. 260 Oxford, United Kingdom : |bOxford University Press, |c2017. 300 xxxi, 637 pages : |billustrations ; |c26 cm. 490 1 The Oxford history of the novel in English ; |vvolume one 504 Includes bibliographical references (page 595-621) and index. 505 0 Part I. Fiction in the marketplace. Authorship, publication, reception (1) : 1470-1660 / Paul Salzman -- Authorship, publication, reception (2) : 1660-1750 / Robert D. Hume -- Cross-sections (1) : 1516-1520 / Cathy Shrank -- Cross-sections (2) : 1596-1600 / Lori Humphrey Newcomb -- Cross-sections (3) : 1666-1670 / James Grantham Turner -- Cross-sections (4) : 1716-1720 / Pat Rogers -- Part II. Early modern fiction--sources and modes. Fiction and the origins of print / Alexandra Gillespie -- English fiction and the ancient novel / Robert H.F. Carver -- Chivalric romance and novella collections / Helen Moore -- Euphuism and courtly fiction / Nandini Das -- Nashe and satire / Tiffany Stern -- Elizabethan popular romance and the popular novel / R.W. Maslen -- 'The conjunction cannot be hurtful'? : Sidney's Arcadia and mingled genres / Gavin Alexander -- Utopian fiction / Daniel Carey -- Royalist romance? / Steven N. Zwicker -- Picaresque and rogue fiction / Simon Dickie -- Cervantes, anti-romance, and the novella / Brean Hammond -- Rabelaisian comedy and satire / Nicholas McDowell -- Bunyan and religious allegory / Michael Davies -- Part III. Restoration fiction and the rise of the novel. Formal experimentation and theories of fiction / Nicholas Hudson -- Non-fictional discourses and the novel / John Richetti -- Finding their accounts : autobiography, novel, and the move from self 'to you-ward' / Stuart Sherman -- Classical French fiction and the restoration novel / Ros Ballaster -- Epistolary fiction / Toni Bowers -- Pornography and the novel / Paul Baines -- Restoration theatre and the novel / Jenny Davidson -- Exploration, expansion, and the early novel / Cynthia Wall -- Arabian nights and Oriental spies / James Watt -- The rise of the Irish novel / Moyra Haslett -- Amatory and scandal fiction / Jane Spencer -- Defoe, journalism, and the early English novel : contexts and models / J. Paul Hunter -- Swift, satire, and the novel / Claude Rawson -- The Pamela debate / Thomas Lockwood -- Clarissa and Tom Jones / J.A. Downie -- 'Moral romance' and the novel at mid-century / Peter Sabor. 506 Available only to authorized users. 520 Explores the long period between the origins of printing in late fifteenth-century England and the establishment of the novel as a recognized, reputable genre in the mid eighteenth century. Later chapters in the volume provide original, authoritative accounts of innovations by the major canonical authors, notably Defoe, Richardson, and Fielding, who have traditionally been seen as pioneering "the rise of the novel," in Ian Watt's famous phrase. With its extended chronological and geographical range, however, the volume also contextualizes these eighteenth-century developments in revelatory new ways, to provide a fresh, bold, and comprehensive account of the richness and variety of fictional traditions as they developed over two and half centuries. This volume thus establishes newly comprehensive mapping of early fiction that rectifies the shortcomings and exclusions of established "rise of the novel" scholarship. These include the relative neglect of the importance of women writers, following Behn's reinvention of romance in the 1680s, in shaping novelistic themes and techniques; a restrictive generic definition based on circumstantial and psychological realism to the exclusion of non-realist modes that flourished for centuries beforehand; a teleological bias that overlooks or downgrades phases and types of fiction production, such as the richly variegated category of Elizabethan fiction, that resist being assimilated into narratives of evolution or ascent; a reductive Anglocentrism that leaves out of account the translation, reception, and pervasive influence form the sixteenth century onwards of, among much else, the "ancient novel" of Apuleius and Heliodorus; Byzantine, Arabian, and Eastern traditions; the Italian novella from Boccaccio to Bandello; Spanish picaresque and anti-romance; and a range of French narrative modes from Rabelais to Marivaux. Alongside these key contexts, the volume treats the emergent novel as, above all, a phenomenon of print culture, with close attention to conditions of authorship, publishing, and reading across the extended period. 538 Mode of access: World Wide Web 650 0 English fiction |yEarly modern, 1500-1700 |xHistory and criticism. |=^A132395 650 0 English fiction |y18th century |xHistory and criticism. |=^A35712 650 7 English fiction. |2fast |0(OCoLC)fst00910817 650 7 English fiction |xEarly modern. |2fast |0(OCoLC)fst01710953 650 7 Prosa |2gnd 650 7 Englisch |2gnd 655 0 Electronic books. |=^A491897 700 1 Keymer, Thomas, |d1962- |=^A290581 710 2 Oxford University Press. |=^A636469 830 0 Oxford history of the novel in English ; |vvolume one. |?UNAUTHORIZED 856 40 |zFull text available from Oxford Scholarship Online |uhttps://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Facademic.oup.com%2Fbook%2F2430 856 40 |zFull text available from Oxford Scholarship Online Literature |uhttps://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Facademic.oup.com%2Fbook%2F2430 947 (OCoLC)on1007888891 949 CLICK ON WEB ADDRESS |wASIS |hJOYNER188 949 CLICK ON WEB ADDRESS |wASIS |hHSL77 949 CLICK ON WEB ADDRESS |wASIS |hJMUSIC60 596 1 3 4 998 6330451