LEADER 03779nam 22005298i 4500001 ssj0002917152 003 WaSeSS 005 20240212080422.0 006 m d 007 cr n 008 230804s2023 nyu sb 001 0 eng d 010 2023022534 020 9780197532492 |q(paperback) 020 9780197532485 |q(hardback) 020 |z9780197532515 |q(epub) 035 (WaSeSS)ssj0002917152 040 DLC |beng |cDLC |dWaSeSS 042 pcc 049 EREENEHH 050 00 ML3549 |b.M55 2023 082 00 782.42162 |2eng/20230808 100 1 Minks, Amanda, |d1974- |=^A1212414 245 10 Indigenous audibilities |h[electronic resource] : |bmusic, heritage, and collections in the Americas / |cAmanda Minks. 260 New York, NY : |bOxford University Press, |c2023. 263 2312 300 pages cm 490 0 Currents in Latin American and Iberian music series 504 Includes bibliographical references and index. 505 0 Between the Ear and the Letter : Oral History and U.S. Borderlands -- Radio, Recording, and Inter-American Indigenismo in Mexico -- Folklore, Region, and Revolution in Nicaragua -- Indigenous Collections and Integrative Arts in Chile. 506 Available only to authorized users. 520 "In the middle decades of the twentieth century, transnational networks sparked a range of cultural projects focused on collecting Indigenous music and folklore in the Americas. Indigenous Audibilities follows the social relations that created these collections in four interconnected case studies linking the U.S., Mexico, Nicaragua, and Chile. Indigenous collections were embedded in political projects that negotiated issues of cultural diplomacy, national canons, and heritage. The case studies recuperate the traces of marginalized voices in archives, paying special attention to female researchers and Indigenous collaborators. Despite the dominant agendas of national and international institutions, the diverse actors and the multi-directional influences often created unexpected outcomes. The book brings together theories of collection, voice, media, writing, and recording to challenge the transparency of archives as a historical source. Indigenous Audibilities presents a social-historical method of listening, reading, and thinking beyond the referentiality of archived texts, and in the process uncovers neglected genealogies of cultural music research in the Americas"-- |cProvided by publisher. 538 Mode of access: World Wide Web 650 0 Indigenous peoples |zAmerica |xMusic |xHistory and criticism. |=^A1412576 650 0 Folk music |zAmerica |xMusic |xHistory and criticism. |=^A38757 650 0 Ethnomusicology |zAmerica |xHistory |y20th century. |=^A24599 655 0 Electronic books. |=^A491897 710 2 Oxford University Press. |=^A636469 856 40 |zFull text available from Oxford Scholarship Online |uhttps://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Facademic.oup.com%2Fbook%2F55136 856 40 |zFull text available from Oxford Scholarship Online Music |uhttps://go.openathens.net/redirector/ecu.edu?url=https%3A%2F%2Facademic.oup.com%2Fbook%2F55136 949 CLICK ON WEB ADDRESS |wASIS |hJOYNER188 949 CLICK ON WEB ADDRESS |wASIS |hHSL77 949 CLICK ON WEB ADDRESS |wASIS |hJMUSIC60 596 1 3 4 998 6310866