| Series |
Europea : ethnomusicologies and modernities ; 12
Europea ; no. 12. ^A563592
|
| Contents |
Who makes the music (and why we all are composers). Composing as we think of it, composing as we do it ; Oral transmission (more than playing or singing by ear) ; Improvisation and the collective dimension ; when "we" get the music -- Originality, identity, ideology and taste. Should music be original, how much can it be ; Why people identify of organized sound ; Why is music so ideological ; How can we face different musics ; Why we misunderstand the music of all times and places and do we much enjoy doing so ; How much of a good thing ; Musical gardens and greenhouses vs. woods and prairies -- The tangible aspects of music-making. The social value of music ; Musical value and its locations. |
| Bibliography note | Includes bibliographical references and index. |
| Access restriction | Available only to authorized users. |
| Technical details | Mode of access: World Wide Web |
| Genre/form | Electronic books. |
| LCCN | 2011024850 |
| ISBN | 9780810876712 (cloth : alk. paper) |
| ISBN | 081087671X (cloth : alk. paper) |
| ISBN | 9780810876736 (ebook) |
| ISBN | 0810876736 (ebook) |
