Contents |
Part 1 : The earliest art. 1. The beginnings of art : 65,000-3200 B.C.E. ; 2. Art of early Africa 8000 B.C.E.-1000 C.E. ; 3. Art of Mesopotamia and West Asia : 5000-2000 B.C.E. ; 4. Egyptian Art from the predynastic Nile Valley through the Old Kingdom : 4000-2000 B.C.E. ; Seeing connections : the art of trade and diplomacy ; 5. Art of West Asian empires : 2000-330 B.C.E. ; 6. Egyptian art from the Middle Kingdom through the Late Period : 2000-525 B.C.E. ; Seeing connections : ancient writing systems ; 7. Early art from South Asia, Southeast Asia, and Oceania : 2600 BCE-300 C.E. ; 8. Art of early East Asia : 4000-200 B.C.E. ; 9. Cycladic and Minoan Art : 3000-1200 B.C.E. ; 10. Mycenaean and Iron Age Greek art : 1700-600 B.C.E. ; 11. Art of early South America: before 600 C.E. -- |
Contents |
Part 2. Early cities and empires. 12. Art of early Mesoamerica : before 600 C.E. ; Seeing connections : stolen things : looting and repatriation of ancient objects ; 13. Archaic and Early Classical Greek art : 600-460 B.C.E. ; 14. Art of Classical Greece : 450-400 B.C.E. ; 15. Late Classical Greek and Hellenistic art : 400-31 B.C.E. ; Seeing connections : early global networks : the Silk Road ; 16. The development of Buddhist and Hindu art in South Asia and Southeast Asia : 250 B.C.E.-800 C.E. ; 17. Villanovan and Etruscan art : 900-270 B.C.E. ; 18. Art of the Roman Republic : 509-27 B.C.E. ; 19. Art of the Roman Empire from Augustus through the Julio-Claudians : 27 B.C.E.-68 C.E. ; 20. Art of the Roman Empire from the Flavians through the Good Emperors : 69-192 C.E. ; 21. Art of Rising Empires in Japan and China : 400 BCE-581 C.E. ; Seeing connections: the cultural power of gold across the world ; 22. Art of the Late Roman Empire : 193-337 C.E. ; 23. Jewish and Christian art in Late Antiquity: 150-500 C.E. -- |
Contents |
Part 3. The spread of religions. 24. The development of Islamic art in North Africa, West Asia, and Central Asia : 600-1000 ; 25. Art of African kingdoms and empires : 300-1500 ; 26. Monumental art in South Asia and Southeast Asia : 700-1400 ; 27. The dissemination of Buddhism and East Asian art : 500-1200 ; Seeing connections : art and ritual ; 28. Art of the Byzantine Empire : 540-1450 ; 29. Art of early Medieval Europe : 600-1250 ; 30. Art of the Americas : 600-1300 ; 31. Art during the Song and Yuan Dynasties of China : 960-1368 ; Seeing connections : Pax Mongolica ; 32. Transformative eras and art in Korea and Japan : 1200-1600 ; 33. The regionalization of Islamic art in North Africa, West Asia, and Central Asia : 1000-1400 ; Seeing connections : the art of writing ; 34. Art of the Mediterranean world : 500-1500 ; 35. Romanesque art and architecture in Europe : 1000-1200 ; 36. Gothic art and architecture in Europe : 1200-1400 ; 37. Art of the late Middle Ages in Italy : 1200-1400 -- |
Contents |
Part 4. Looking inward, exploring outward. 38. Fifteenth-century Renaissance art in Florence : 1400-1500 ; 39. Fifteenth-century Renaissance art in south, central, and northern Italy : 1400-1500 ; 40. Fifteenth-century art of France, Flanders, and Germany : 1400-1500 ; Seeing connections : the world in perspective ; 41. Art of Mesoamerica and North America : after 1300 ; 42. Art of Central and South America 1100-1550 ; Seeing connections : mapping the world ; 43. Art in Late Imperial China : 1368-1795 ; 44. Art in Early Modern Korea and Japan : 1600-1900 ; 45. Renaissance art in Italy at the turn of the sixteenth century : 1470-1520 ; 46. Sixteenth-century art of northern Europe : 1500-1600 ; 47. Sixteenth-century art of Italy : 1520-1600 ; 48. Sixteenth-century art of Spain, France, and England : 1500-1600 ; Seeing connections : blue-and-white porcelain : a global commodity ; 49. African art and global trade : 1450-1860 ; 50. Islamic art of empires in North Africa, West Asia, and Central Asia : 1400-1800 ; 51. Early Modern art of South Asia and Southeast Asia : 1400-1800 ; 52. Art of Oceania : 1200-1800 ; Seeing connections : the artist's workshop ; 53. Baroque art of Europe : 1600-1750 ; 54. Art of the Dutch Republic: 1600-1700 -- |
Contents |
Part 5. Imperialism, revolution, and innovation. 55. Art of the Enlightenment in Europe and North America : 1700-1800 ; 56. Rococo art in Europe : 1700-1800 ; 57. Neoclassical art in Europe and North America : 1700-1800 ; 58. Romantic art in Europe and North America : 1780-1870 ; Seeing connections : picturing the other in the Age of Imperialism ; 59. Art of Oceania in the colonial and postcolonial era : 1800 to the present ; 60. Art of colonial and independent South Asia and Southeast Asia : 1800 to the present ; Seeing connections : empire building ; 61. Realism in European and North American art : 1830-1890 ; 62. Modernity and Impressionism in European art : 1860-1880 ; Seeing connections : the spread of photography ; 63. Avant-Garde art in Europe : 1880-1900 ; 64. African art, colonialism, and the modern world : 1860-1960 -- |
Contents |
Part 6. Art in a connected world. 65. European and North American art at the turn of the twentieth century : 1880-1915 ; 66. Fauvism, Cubism, and Expressionism in European modern art : 1905-1930 ; Seeing connections : the universal impulse toward abstraction ; 67. Futurism, Dada, Surrealism, and political protest in European and Mexican modern art : 1910-1940 ; 68. Modernity and identity in East Asian art : 1850-1980 ; Seeing connections : modern art and war ; 69. Modern and contemporary art of North Africa, West Asia, and Central Asia : 1800 to the present ; 70. Constructivism, De Stijl, and the Bauhaus in European and American modern art : 1915-1960 ; 71. Modern art in North America : 1925-1965 ; 72. Art of independent African nations : 1960-2000 ; 73. Pluralism and Postmodern art in Europe and the Americas : 1960-1995 ; Seeing connections : diaspora in the modern world ; 74. Art of the global contemporary : 1980 to the present -- Glossary. |
Abstract |
"Thames & Hudson's The history of art : a global view grew out of the need for a more global, inclusive way to teach the history of the world's art. The author team of eleven specialists had already devised ways to meet the challenge of teaching globally in their own classrooms. Headed by authors Jean Robertson and Deborah Hutton, this community of scholars cohered around the shared goal of bringing multiple perspectives to a worldwide narrative. The resulting survey represents every global region as an important part of a chronological, interwoven history that emphasizes cross-cultural connections, contrasts, and comparisons"-- Preface. |
Abstract |
"A more global, flexible way to teach art history. The history of art: a global view is the first major art history survey textbook -- written by a team of expert authors -- with a global narrative in mind. A chronological organization and 'Seeing connections' features help readers make cross-cultural comparisons, while brief, modular chapters (with on-page definitions) offer instructors unparalleled flexibility. You can assign more than one chapter per week for a fully global course, or skip and reorder chapters, for a more focused syllabus"-- Barnes & Noble website. |
Bibliography note | Includes bibliographical references (pages 1219-1229) and index. |
Genre/form | History. |
LCCN | 2020952139 |
ISBN | 9780500022375 (combined volume) |
ISBN | 0500022372 (combined volume) |
ISBN | (volume 1) |
ISBN | (volume 1) |
ISBN | (volume 2) |
ISBN | (volume 2) |