LEADER 05907cam 2200397 i 4500001 ocm00098476 003 OCoLC 005 20230124155829.0 008 701030s1970 nyucg b 011 0 eng 010 70017848 019 6524468447073121077854438 020 004780016X 020 9780047800160 035 (Sirsi) o00098476 035 (OCoLC)98476 |z(OCoLC)652446 |z(OCoLC)844707312 |z(OCoLC)1077854438 040 DLC |beng |cDLC |dFIN |dGZM |dFDS |dBTCTA |dOCLCO |dOCLCF |dOCLCQ |dOCLCO |dOCL |dTPA |dOCLCO |dOCL |dNLC |dBUF |dOCLCQ |dTYC |dOCLCQ |dXFF |dOCLCQ |dCNO |dOCLCQ |dYOU |dYBM |dP4A |dOCLCO |dJ9U |dERE |dUtOrBLW 049 EREM 050 04 ML55.G24 |bS8 1970 082 00 780/.94 245 00 Studies in eighteenth-century music : |ba tribute to Karl Geiringer on his seventieth birthday / |cedited by H.C. Robbins Landon ; in collaboration with Roger E. Chapman. 260 New York : |bOxford University Press, |c1970. 300 425 pages : |bmusic, portrait ; |c25 cm 336 text |btxt |2rdacontent 337 unmediated |bn |2rdamedia 338 volume |bnc |2rdacarrier 504 "A selected bibliography of the works of Karl Geiringer": pages 407-419. 505 00 |tSome eighteenth-century Polish symphonies / |rGerald Abraham -- |tEnglish pre-Romantic poetry in settings by German composers / |rOtto E. Albrecht -- |t'Rhythmic harmony' as taught by Johann Philipp Kirnberger / |rPutnam Aldrich -- |tClementi's 'Musical characteristics' opus 19 / |rEva Badura-Skoda -- |tJoseph Haydn's Ave Regina in A / |rIrmgard Becker-Glauch -- |tOn vulgar music and poetry found in unexplored minor sources of eighteenth-century lute tablatures / |rWolfgang Boetticher -- |tThe early Zurich Neujahrsblätter / |rAndres Briner -- |tAn evaluation of Johann Mattheson's opera, Cleopatra (Hamburg 1704) / |rGeorge J. Buelow -- |tThe chorale in the baroque era and J. S. Bach's contribution to it / |rWalter E. Buszin -- |tJoseph Haydn and the freemasons / |rJacques Chailley -- |tSome observations on liturgy, text and structure in Haydn's late masses / |rMartin Chusid -- |tTonal exploitation in the later quartets of Haydn / |rLouise E. Cuyler -- |tVocal embellishment in a Handel aria / |rWinton Dean -- |tAmore traditore: a problem cantata / |rRobert Donington -- |tJohann Adam Hiller's 'Critical prospectus for a music library' / |rVincent Duckles -- |tSimilarities in the works of Haydn / |rGeorg Feder -- |tEighteenth century litaniae lauretanae from the repertory of the Viennese province of the Franciscan Order / |rHellmut Federhofer and Renate Federhofer -- |tThe problem of heritage in the musical life of the present / |rK. G. Fellerer -- |tArietta Variata / |rKurt Von Fischer -- |tGeorg Benda, the pioneer of the melodrama / |rEdith Vogl Garrett -- |tThe keyboard sonatas of Felix Maximo Lopez, an appreciation / |rJohn Gillespie -- |tJ. S. Bach and the tradition of keyboard transcriptions / |rTheodor Gollner -- |tProgressive and conservative tendencies in the violoncello concertos of Leonardo Leo / |rDouglass Green -- |tBWV 131, Bach's first cantata / |rGerhard Herz -- |tA rare contemporary edition of Haydn's 'Hymn for the Emperor' / |rAnthony van Hoboken -- |tWeber on opera: a challenge to eighteenth-century tradition / |rDolores Menstell Hsu -- |tHaydn listings in the rediscovered Leuckart supplements: Breslau 1788-92 / |rJan LaRue -- |tThe closing numbers of Die Schöpfung / |rSiegmund Levarie -- |tHaydn as student and critic of Fux / |rAlfred Mann -- |tModulation in C. P. E. Bach's Versuch / |rWilliam J. Mitchell -- |tArs Combinatoria, chance and choice in eighteenth-century music / |rLeonard G. Ratner -- |tFather and son: some attributions to J. S. Bach by C. P. E. Bach / |rGloria Rose -- |tA bold enharmonic modulatory model in Joseph Haydn's string quartets / |rLaszlo Somfai -- |tMozart's Gagliarda / |rBence Szabolcsi -- |tBernard Lamy, rhetorician of the passions / |rWilliam G. Waite -- |tA homage of Piccinni to Gluck / |rEmanuel Winternitz -- |tThe fairy-tale of the Neapolitan Opera / |rHellmuth Christian Wolff -- |tA selected bibliography of the works of Karl Geiringer / |rMartin A. Silver. 520 Musicology--the scientific study of music--is particularly relevant to the brilliant range of music composed in Europe within the eighteenth century. This collection of essays is both imaginative in scope and authoritative in scholarship. The works of such famous composers as Joseph Haydn, Handel, J. S. Bach and C. P. E. Bach are discussed in detail, as are the achievements of other composers of that area--Leonardo Leo, Johann Mattheson, Piccinni, Clementi and so on. The studies are dedicated to Karl Geiringer on the occasion of his seventieth birthday. Dr. Geiringer is a distinguished music scholar of Haydn and many other composers, and there is an exhaustive and selected bibliography of his works at the end of the book. Edited by Roger E. Chapman and H. C. Robbins Landon the book includes essays by Gerald Abraham, Robert Donington, Putnam Aldrich and William G. Waite, as well as many other leading American and European musicologists. It will be of immense value to all who wish to increase their knowledge of music and so heighten the appreciation of what they hear. Consistently exploratory and never repetitive in style or subject matter these essays are also of wide biographical, sociological and historical interest. This book is a major contribution to aesthetics in music. 650 0 Music |y18th century |xHistory and criticism. |=^A142436 700 1 Landon, H. C. Robbins |q(Howard Chandler Robbins), |d1926-2009, |eeditor. |=^A22637 700 1 Chapman, Roger E. |q(Roger Eddington), |d1916-1989, |eeditor. |=^A1449697 700 1 Geiringer, Karl, |d1899-1989, |ehonouree. |=^A632793 994 C0 |bERE 596 3 998 5916820