| Series |
Rethinking Art's Histories
Rethinking art's histories. ^A1092729
|
| Contents |
Cover; Series page; Title page; Copyright page; Dedication; Contents; Figures; Acknowledgements; Introduction; 1 Conceptual Art and identity politics: from the 1960s to the 1990s; 2 Adrian Piper: the body after conceptualism; 3 The synthetic proposition: conceptualism as political art; 4 The political referent in debate: identity, difference, representation; 5 Institutional gender: from Hans Haacke's Systems Theory to Andrea Fraser's feminist economies; A state of passionate detachment: Charles Gaines by way of conclusion; Bibliography; Index. |
| Abstract |
Traces two intersecting trajectories in American art. It shows how rights-based 1960s politics and the identity politics of the 1970s influenced the development of Conceptual art (with a capital 'C') into the diverse set of practices generally characterised as conceptualist (with a lower-case 'c'). |
| Bibliography note | Includes bibliographical references (pages 242-259) and index. |
| Source of description | CIP data; item not viewed. |
| Issued in other form | Print version: 9781784992750 |
| Genre/form | Electronic books. |
| ISBN | 9781526119421 (electronic bk.) |
| ISBN | 1526119420 (electronic bk.) |
| ISBN | 9781526119414 (electronic bk.) |
| ISBN | 1526119412 (electronic bk.) |
| ISBN | (hbk.) |
| ISBN | (pbk.) |
| Stock number | 9781526119414 Ingram Content Group |
| Stock number | 22573/ctvn9b7d8 JSTOR |
