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LEADER 03152cam 2200397 a 4500
001
ocm28666132
003
OCoLC
005
20141212114309.0
008
930728s1994 enka b 001 0 eng
010
a| 93031379
019
a| 31241937
020
a| 0521416442 (hardback)
035
a| (Sirsi) o28666132
035
a| (OCoLC)28666132
040
a| DLC
c| DLC
d| UKM
d| LDL
d| ERE
d| UtOrBLW
049
a| EREM
050
0
0
a| ML410.B42
b| P47 1994
082
0
0
a| 780/.92
2| 20
245
0
0
a| Performing Beethoven /
c| edited by Robin Stowell.
260
a| Cambridge ;
a| New York, NY, USA :
b| Cambridge University Press,
c| 1994.
300
a| xiv, 246 pages :
b| illustrations ;
c| 26 cm.
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
490
1
a| Cambridge studies in performance practice ;
v| 4
504
a| Includes bibliographical references and indexes.
505
0
0
t| Beethoven's basso continuo: notation and performance /
r| Tibor Szasz --
t| Beethoven's revisions to his fourth piano concerto /
r| Barry Cooper --
t| Beethoven's pianoforte pedalling /
r| David Rowland --
t| Beethoven and the development of wind instruments /
r| Colin Lawson --
t| Beethoven's sonatas for piano and cello: aspects of technique and performance /
r| David Watkin --
t| Ferdinand David's editions of Beethoven /
r| Clive Brown --
t| The violin concerto (op. 61): text and editions /
r| Robin Stowell --
t| Traditional habits of performance in early-twentieth-century recordings of Beethoven /
r| Robert Philip --
t| A comparative survey of rescorings in Beethoven's symphonies /
r| David Pickett --
t| Beethoven's piano music: contemporary performance issues /
r| Martin Hughes.
520
a| The ten essays in this volume explore different aspects of the performance of instrumental works by Beethoven. Each essay discusses performance issues from Beethoven's time to the present, whether the objective be to realise a performance in an historically appropriate manner, to elucidate the interpretation of Beethoven's music by conductors and performers, to clarify transcriptions by editors or to reconstruct the experience of the listener in various different periods. Four contributions focus on the piano music while another group concentrates on Beethoven's music for strings. These chapters are complemented by an examination of Beethoven's exploitation of the developing wind choir, an evaluation of early twentieth-century recordings as pointers to early nineteenth-century performance practice and an historical survey of rescorings in Beethoven's symphonies.
600
1
0
a| Beethoven, Ludwig van,
d| 1770-1827
x| Criticism and interpretation.
=| ^A18609
650
0
a| Performance practice (Music)
x| History
y| 18th century.
=| ^A255331
650
0
a| Performance practice (Music)
x| History
y| 19th century.
=| ^A287289
700
1
a| Stowell, Robin,
e| editor.
=| ^A209557
830
0
a| Cambridge studies in performance practice ;
v| 4.
=| ^A281150
596
a| 3
998
a| 563331
999
a| ML410.B42 P47 1994
w| LC
c| 1
i| 30372008561075
d| 5/26/2020
e| 2/14/2020
f| 2/28/2024
g| 5
l| MST
m| JMUSIC
n| 37
p| $50.96
q| 3
r| Y
s| Y
t| MGESBK
u| 11/28/1994
x| BOOK
z| MCIRC
o| .STAFF. enhanced 5/28/21 -jjab