| Abstract |
"Wyrd] bird grapples with the impossibility and necessity of affirming mystical experience in a world fraught with ecological and individual loss. It is at once a book-length lyric essay on the 12th-century German mystic, Hildegard of Bingen, a dream journal, fragmentary notebook, collection of poems, and scrapbook of photographic ephemera. Stancek follows Hildegard as a guide through an underworld of climate catastrophe and political violence populated by figures from Milton's Eve to the biblical Satan to Keats's hand. The book deconstructs a Western tradition of good and evil by rereading, cross-questioning, and upsetting some of that tradition's central poetic texts. Refusing and confusing dualistic logic, wyrd] bird searches out an expression of visionary experience that remains rooted in the body, a mode of questioning that echoes out into further questioning, and a cry of elegiac loss that grips, stubbornly, onto love"-- Provided by publisher. |
