LEADER 03484cam 2200457 i 4500001 on1041227326 003 OCoLC 005 20201118035518.0 008 180608t20192019enkag b 001 0 eng 010 2018027191 019 10454882311045488233 020 9781107156074 |qhardcover 020 1107156076 |qhardcover 020 9781316609705 020 1316609707 035 (Sirsi) o1041227326 035 (OCoLC)1041227326 |z(OCoLC)1045488231 |z(OCoLC)1045488233 040 DLC |beng |erda |cDLC |dOCLCO |dOCLCF |dYDX |dUKMGB |dTDF |dCHVBK |dTJC |dMZA |dWLU |dIUL |dMNU |dOCLCO |dNGU |dERASA |dERE |dUtOrBLW 042 pcc 049 EREM 050 00 ML651 |b.C36 2019 245 04 The Cambridge companion to the harpsichord / |cedited by Mark Kroll. 264 1 Cambridge, United Kingdom ;New York, NY : |bCambridge University Press, |c2019. 264 4 |c©2019 300 xviii, 388 pages : |billustrations, music ; |c26 cm. 336 text |btxt |2rdacontent 337 unmediated |bn |2rdamedia 338 volume |bnc |2rdacarrier 490 1 Cambridge companions to music 504 Includes bibliographical references and index. 505 00 |tHistory and construction of the harpsichord / |rJohn Koster -- |tThe virginalists / |rPieter Dirksen -- |tEngland / |rAndrew Woolley -- |tThe Netherlands and Northern Germany / |rTon Koopman -- |tSouthern Germany and the Austro-Hungarian Empire to 1750 / |rPieter Dirksen -- |tFrance / |rMark Kroll -- |tItaly / |rRebecca Cypess -- |tPortugal / |rJoao Pedro d'Alvarenga -- |tSpain / |rAgueda Pedrero-Encabo -- |tDomenico Scarlatti in Portugal and Spain / |rJoao Pedro d'Alvarenga, Agueda Pedrero-Encabo -- |tRussia / |rMarina Ritzarev -- |tThe Nordic and Baltic countries / |rAnna Maria McElwain -- |tThe harpsichord in colonial Spanish and Portuguese america / |rPedro Persone -- |tBach, Handel and the harpsichord / |rRobert L. Marshall -- |tThe harpsichord in ensemble / |rMark Kroll -- |tContemporary harpsichord music / |rLarry Palmer -- |tTuning and temperament / |rPaul Poletti. 520 Written by 14 leading experts in the field, this Companion covers almost every aspect of the harpsichord-the history of the instrument; tuning systems; the role of the harpsichord in ensemble; its use in the twentieth and twenty-first centuries; and includes separate chapters devoted to Domenico Scarlatti, J.S. Bach and Handel. Chapters featuring almost every national style are written by authors with close connections to the countries about which they are writing, including England, The Netherlands, Germany, the Austro-Hungarian Empire, France, Italy, Portugal and Spain, as well as the less extensive harpsichord traditions of Russia, The Nordic and Baltic Countries, and Colonial Spanish and Portuguese America. With musical examples; illustrations; a time line of the harpsichord; and an appendix of composers, reliable editions and original sources, this is the book is for all who love the harpsichord, or want to learn more about it. 650 0 Harpsichord |xHistory. |=^A1237975 650 0 Harpsichord music |xHistory and criticism. |=^A31209 700 1 Kroll, Mark, |eeditor. |=^A468495 830 0 Cambridge companions to music. |=^A371619 949 ML651 .C36 2019 |wLC |hJMUSIC53 |i30372017174951 |ojjab 994 C0 |bERE 596 3 998 5525906