ECU Libraries Catalog

Not Russian enough? : nationalism and cosmopolitanism in nineteenth-century Russian opera / Rutger Helmers.

Author/creator Helmers, Rutger, 1980- author.
Format Book and Print
Publication Info Rochester, NY : University of Rochester Press, 2014.
Copyright Notice ©2014
Descriptionxvi, 233 pages : illustrations, music ; 24 cm.
Subject(s)
Series Eastman studies in music, 1071-9989 ; v. 119
Eastman studies in music ; v. 119. ^A494093
Contents A life for the Tsar and bel canto opera -- Subject matter, local color, and national style in Judith -- French theatricality and inadvertent Russianisms in the Maid of Orléans -- The Tsar's bride and the dilemma of history.
Abstract In the nineteenth century, Russian composers and critics were encouraged to cultivate a national style to distinguish their music from the dominant Italian, French, and German traditions. Not Russian Enough? explores this aspiration for a nationalist musical tradition as it was carried out in the cosmopolitan world of opera. Rutger Helmers analyzes the cultural context, music, and reception of four important operas: Glinka's A Life for the Tsar (1836), Serov's Judith (1863), Tchaikovsky's The Maid of Orléans (1881), and Rimsky-Korsakov's The Tsar's Bride (1899). He discusses such issues as the influence of Italian and French opera, the use of foreign subjects, the application of local color, and the adherence to thesics, and considers how these related to a sense of "Russianness." Besides yielding new insights for each of these works, this study offers a fresh perspective on the function of nationalist thought in the nineteenth-century Russian opera world.
Bibliography noteIncludes bibliographical references (pages 199-222) and index.
LCCN 2014029787
ISBN9781580465007 (hardcover ; alkaline paper)
ISBN1580465005 (hardcover ; alkaline paper)
Standard identifier# 40024457131

Available Items

Library Location Call Number Status Item Actions
Music Music Stacks ML1737.4 .H45 2014 ✔ Available Place Hold