LEADER 03292cam 2200421 i 4500001 ocn963668600 003 OCoLC 005 20200121081808.0 008 161118s2018 enka b 001 0 eng d 019 992433636 020 9781781300558 |qhardcover 020 1781300550 |qhardcover 035 (Sirsi) 40029332406 035 40029332406 035 (OCoLC)963668600 |z(OCoLC)992433636 040 ERASA |beng |erda |cERASA |dYDX |dBTCTA |dBDX |dOCLCQ |dNhCcYBP |dUtOrBLW 043 e-uk-en 050 4 NA7512.4.L6 |bW55 2018 082 04 728.0942177 |223 100 1 Wild, Tessa, |eauthor. |=^A1387671 245 10 William Morris & his palace of art : |barchitecture, interiors & design at Red House / |cTessa Wild. 264 1 London ;New York : |bPhilip Wilson Publishers, |c2018. 300 272 pages : |billustrations (chiefly color) ; |c29 cm 336 text |btxt |2rdacontent 336 still image |bsti |2rdacontent 337 unmediated |bn |2rdamedia 338 volume |bnc |2rdacarrier 504 Includes bibliographical references and index. 520 8 William Morris Rediscovered: Early Years at Red House is a comprehensive new study of Red House, Bexleyheath; the only house commissioned by William Morris and the first independent architectural work of his close friend, Philip Webb. Morris moved in to Red House as an ebullient young man of 26, with an independent income and a head brimming with ideas and the persistent question of 'how best to live?' Red House, together with its Pre-Raphaelite garden, stands as the physical embodiment of his exuberant spirit, youthful ambition, passionate medievalism, creativity and great sense of possibility. For five intense years from 1860-5, it was a place of halcyon days - happy family life, loyal friendship, humoured competition, and the jovial campaign of decorating; furnishing the house and designing the garden to meet his emergent taste for strong colour, complex pattern making and medieval inspired furniture and garderns. Recent research has revealed that the original decorative finishes have survived to a surprising degree, providing tantalising glimpses and in several instances of 1860-5. Drawing on a wealth of new physical evidence, this book will argue that Red House constitutes an ambitious and critical chapter in his design history which reveals Morris's early confidence and artistic breadth through his little-known, experimental aesthetic. It wil re-consider the inspiration it provided for the founding of 'the Firm' of Morris, Marshall, Faulkner & Co. (later Morris & Co.), in 1861, and the vital collaboration of Webb, Burne-Jones, Rossetti and their intimate circle in realising Morris's dream for his house. 600 10 Morris, William, |d1834-1896 |xHomes and haunts |zEngland |zLondon. |=^A35020 610 20 Red House (Bexley, London, England) |=^A1389213 650 0 Interior decoration |zEngland |zLondon. |=^A83803 651 0 London (England) |xBuildings, structures, etc. |=^A311617 949 |i30372017334555 |ojjlm 960 |o1 |s65.00 |tJoyner48 |uJAPP |zUSD 596 1 998 5187053