LEADER 07489cam 2200409 a 4500001 ocm23287240 003 OCoLC 005 20141212103311.0 008 910228s1992 caua b s001 0 eng 010 91002873 020 0520047443 (set) 035 (Sirsi) o23287240 035 (OCoLC)23287240 040 DLC |cDLC |dERE |dUtOrBLW 043 e-fr---e-sp--- 049 EREM 050 00 ML174 |b.K33 1992 082 00 781.2/84/0902 |220 100 1 Karp, Theodore. |=^A311287 245 14 The polyphony of Saint Martial and Santiago de Compostela / |cTheodore Karp. 260 Berkeley : |bUniversity of California Press, |c1992. 300 2 volumes : |billustrations ; |c29 cm 336 text |2rdacontent 337 unmediated |2rdamedia 338 volume |2rdacarrier 504 Includes bibliographical references and indexes. 505 00 |gVolume 1. |tIntroduction: Aims, methods and premises -- |tThe origin of a hypothesis. |tThe role of consonance and dissonance in note-against-note writing -- |tThe development of a hypothesis. |tThe rhythmic implications of functional consonance. |tThe role of consonance and dissonance in ligature-against-note writing ; |tNotational consistency vs. inconsistency -- |tText underlay. |tThe evidence supporting text underlay practices of the recent past ; |tThe evidence contradicting these practices in modal an mensural notations and in theoretical treatises ; |tFurther contradictions in the genres of conductus, organum quadruplum, triplum, and duplum, clausula, motet, and in peripheral and late works -- |tContrasting explanations of the polyphony. |tThe view of the upper voice as a freely constructed melody ; |tThe harmonic controls that generate and govern the construction of the organal melody ; |tVarious rhythmic theories ; |tThe concept of non-rational rhythmic proportions -- |tThe historical context of St Martial and Calixtine polyphony. |tThe role of consonance and dissonance in shaping polyphony of the 9th-11th centuries ; |tThe relationships between early 12th-c. polyphony and Notre Dame polyphony ; |tThe development of modal rhythm -- |tThe notation of St Martial and Calixtine polyphony. |tProblems of interpreting pitch ; |tProblems of interpreting rhythm: treatment of binariae, proto-mensural indications, ternariae and larger ligatures ; |tNotational inconsistency -- |tThe effects of the main hypotheses. |tThe interaction between text and music: the possible influence of text accent and rhythm on musical rhythm, the influence of text structure on musical structure ; |tThe role of consonance and the treatment of dissonance in note-against-note writing, in ligature-against-note writing, and in ligature-against-ligature writing -- |gAppendicies. |tIntervallic analysis of note-against-note and ligature-against-note writing ; |tCommon intervallic progressions in Calixtine polyphony ; |tCommon intervallic progression among proses from BN lat. 3719 ; |tCommon intervallic progressions among proses from BN lat. 3549 ; |tComparable short-range harmonic progressions in the St Martial and Notre Dame repertoires. 505 00 |gVolume 2. |tParis, biblioteque nationale, ms lat. 3549. |tVeri solis radius ; |tPer partum virginis ; |tViderunt hemanuel ; |tO primus homo coruit ; |tSenescente mundano fillio ; |tNuptialis hodie ; |tOmnis curet ; |tRex Salomon ; |tArce siderea ; |tInviolata Maria ; |tLaude jocunda ; |tAlle-celeste nec non ; |tVictime pascali ; |tChristo inclita ; |tRex omnipotens ; |tSancti spiritus ; |tAdsit Johannis Baptiste ; |tStirps Jesse florigeram/Benedicamus domino -- |tLondon, British library, additional ms 36881. |tPer letalis pomi pastum ; |tOmnis curet ; |tNoster cetus psallat letus ; |tPer partum virginis ; |tVeri soli radius ; |tO parimus homo corruit ; |tDivinum stillant dsuper ; |tLux refulget ; |tVellus rore ; |tGaudia debita ; |tRex omnia tenens imperio ; |tDulci dignum melodia ; |tOi Dex! quam brevis est vita ; |tCongaudet hodie ; |tPatris ingeniti filius ; |tCantu miro ; |tPrima mundi ; |tCatholicorum concio ; |tGregis pastor Titirus ; |tDecorata tribus miraculis ; |tOrienti oriens ; |tDelictis hominis ; |tDe monte lapis scinditur ; |tChorus noster recolat ; |tQuam felix cubiculum ; |tRes jocosa ; |tOra pro nobis ; |tAd honorem -- |tParis, Biblioteque nationale, ms lat. 3719, central corpus. |tBirga Jesse floruit ; |tBenedicamus Domino ; |tSancti spiritus ; |tPreconia virginis ; |tAlma corus ; |tProme casta concio ; |tLaude jocunda ; |tVeri solis radius ; |tRex Salomon ; |tArce siderea ; |tPer partum virginis ; |tLux refulget ; |tViderunt hemanuel ; |tBenedicamus Domino-humane prolis ; |tBenedicamus Domino ; |tMater Dei ; |tPer omnia tenens ; |tOrienti oriens ; |tJus nature consumitur ; |tFlore vernans ; |tVellus rore ; |tOmnis curet ; |tInviolata Maria -- |tParis, Biblioteque nationale, ms lat.3719, preliminary sections and addendum. |tSalvatoris in natalicio ; |tVeri solis radius ; |tHomo gaude ; |tMundus ovans ; |t[D]omus saltus Libani ; |tFulget dies celebris ; |tGaudia debita ; |tArce syderea ; |tNoster cetus psallat letus ; |tNoster cetus iste letus ; |tNovum festum ; |tMundo salus ; |tVerbum Patris -- |tParis, bibliotheque nationale, ms lat. 1139. |tDeus in adjuntorium ; |tAnnus novus ; |tVirgine nato ; |tJubilemus, exultemus ; |tCatholicorum concio ; |tLeccio libri sapiencie: In ombibus requiem quesivi ; |tResonemus hoc natali ; |tPrima mundi ; |tStirps Jesse florigeram/benedicamus Domino ; |tNoster cetus ; |tMira lege -- |tSantiago de compostela, cathedral archive (without siglum), codex Calixtinus. |tNostra phalans ; |tCongaudeant catholici ; |tGratulantes celebremus ; |tAd superni regis decus ; |tAnnua gaudia ; |tJacobe sancte ; |tRegi perhennis ; |tVox nostra resonet ; |tDum esset ; |tHuic Jacobo ; |tJacobe virginei ; |tO adjutor ; |tPortum in ultimo ; |tRex immense ; |tMisit Herodes ; |tAlleluya Vocavit Jhesus ; |tCunctipotens genitor Deus ; |tBenedicamus Domino I ; |tBenedicamus Domino II ; |t Benedicamus Domino III ; |tIn hac die laudes cum gaudio. 520 The author proposes a fundamental reinterpretation of two major repertories of twelfth-century sacred music, that associated with the long-destroyed abbey of Saint Martial de Limoges and the manuscript preserved in the Cathedral Archive of Santiago de Compostela. Together, these comprise the most important collection of polyphonic music before the celebrated School of Notre Dame. Scholars have disagreed about the rules for transcribing this early medieval music. Karp's commentary in Volume One, along with an edition of the music in Volume Two, offers a new set principles for the understanding of its harmony, rhythm, notation, and text underlay. Professor Karp's interpretation, though likely to prove controversial, is scrupulously and convincingly defended. The transcriptions themselves will be welcomed by performing musicians, to whom an important repertory now becomes readily available. 650 0 Music theory |y500-1400. |=^A382149 650 0 Music |zFrance |zLimoges |y500-1400 |xHistory and criticism. |=^A29172 650 0 Music |zSpain |zSantiago de Compostela |y500-1400 |xHistory and criticism. |=^A45361 650 0 Sacred vocal music |y500-1400. |=^A1032678 596 3 998 497910