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LEADER 03533cam 22003618a 4500
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ocm27172910
003
OCoLC
005
20141212103311.0
008
921203s1993 caug b s001 0 eng
010
a| 92043829
020
a| 0520078195 (alk. paper)
035
a| (Sirsi) o27172910
035
a| (OCoLC)27172910
040
a| DLC
c| DLC
d| NOC
d| UKM
d| ERE
d| UtOrBLW
049
a| EREM
a| NPEE
050
0
0
a| ML410.S283
b| F75 1993
082
0
0
a| 780/.92
2| 20
092
a| 780.92
b| Sc6f
100
1
a| Frisch, Walter.
=| ^A174952
245
1
4
a| The early works of Arnold Schoenberg, 1893-1908 /
c| Walter Frisch.
260
a| Berkeley :
b| University of California Press,
c| ©1993.
300
a| xix, 328 pages :
b| music ;
c| 27 cm
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
504
a| Includes bibliographical references (pages 311-319) and indexes.
505
0
0
g| Part I:
t| Schoenberg and the Brahms Tradition,
g| 1893-1897.
t| The "Brahms fog": a context for early Schoenberg --
t| The instrumental works --
t| The songs --
g| Part II:
t| Expanded tonality, expanded forms,
g| 1899-1903.
t| The Dehmel settings of 1899 --
t| Verklärte Nacht, op. 4
g| (1899) --
t| Gurrelieder
g| (1900-1901) --
t| Pelleas und Melisande, op. 5
g| (1902-1903) --
g| Part III: "The direction much more my own," 1904-1908.
t| The First String Quartet, op. 7
g| (1904-1905) --
t| The First Chamber Symphony, op. 38, and the Second String Quartet, op. 10
g| (1906-1908).
520
a| Here is the first full-scale account of Schoenberg's early tonal works, a rich repertory that music historians have tended to neglect or view as transitional to a mature atonal style. Between 1893 and 1908, Schoenberg created many genuine masterworks in the genres of Lieder, chamber music, and symphonic music. This book includes detailed critical analyses of such widely admired and performed compositions as Verklaerte Nacht, Gurrelieder, and the First Chamber Symphony, as well as discussions of little-known but important songs and instrumental works from the earlier years. Drawing on original manuscript sources, on Schoenberg's musical environment, on a range of analytical methods, and on Schoenberg's own theories, the author traces the development of technique and aesthetic across this critical fifteen-year period of the composer's career. Here is the first full-scale account of Schoenberg's early tonal works, a rich repertory that music historians have tended to neglect or view as transitional to a mature atonal style. Between 1893 and 1908, Schoenberg created many genuine masterworks in the genres of Lieder, chamber music, and symphonic music. This book includes detailed critical analyses of such widely admired and performed compositions as Verklaerte Nacht, Gurrelieder, and the First Chamber Symphony, as well as discussions of little-known but important songs and instrumental works from the earlier years. Drawing on original manuscript sources, on Schoenberg's musical environment, on a range of analytical methods, and on Schoenberg's own theories, the author traces the development of technique and aesthetic across this critical fifteen-year period of the composer's career.
600
1
0
a| Schoenberg, Arnold,
d| 1874-1951
x| Criticism and interpretation.
=| ^A18534
590
a| Little-294507--305131000516P
596
a| 2 3
998
a| 497904
999
a| ML410.S283 F75 1993
w| LC
c| 1
i| 30372008139864
d| 5/2/2023
e| 12/12/2022
f| 3/12/2024
g| 6
l| MST
m| JMUSIC
n| 28
p| $40.80
q| 2
r| Y
s| Y
t| MGESBK
u| 3/3/1994
x| BOOK
z| MCIRC
o| .STAFF. enhanced 4/26/22 -jjab