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LEADER 04222cam 2200649 i 4500
001
on1015280043
003
OCoLC
005
20180727091546.0
008
171127t20182018dcua b f101 0 eng
010
a| 2017055984
019
a| 1004904884
020
a| 9780300214673
q| (hardcover)
020
a| 0300214677
q| (hardcover)
035
a| (Sirsi) 40028271103
035
a| 40028271103
035
a| (OCoLC)1015280043
z| (OCoLC)1004904884
040
a| DGPO/DLC
b| eng
e| rda
c| DLC
d| OCLCO
d| OCLCF
d| ERASA
d| YDX
d| OSU
d| UtOrBLW
042
a| pcc
043
a| a-ja---
050
0
0
a| N7353.5
b| .A785 2018
082
0
4
a| 759.952
2| 23
086
0
a| SI 8.2:ED 6
245
0
4
a| The artist in Edo /
c| edited by Yukio Lippit.
264
1
a| Washington, D.C. :
b| National Gallery of Art, Washington,
c| [2018]
264
2
a| New Haven ;
a| London :
b| Distributed by Yale University Press,
c| [2018]
264
4
c| ©2018
300
a| viii, 295 pages :
b| illustrations (some color) ;
c| 29 cm.
336
a| text
b| txt
2| rdacontent
336
a| still image
b| sti
2| rdacontent
337
a| unmediated
b| n
2| rdamedia
338
a| volume
b| nc
2| rdacarrier
490
1
a| Studies in the history of Art ;
v| 80.
a| Symposium papers ;
v| LVII
500
a| "This volume was produced by the Center for Advanced Study in the Visual Arts and the Publishing Office, National Gallery of Art, Washington."
500
a| Proceedings of the symposium "The Artist in Edo," organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art, and the Freer Gallery of Art and the Arthur M. Sackler Gallery, Smithsonian Institution, and sponsored by the Anne van Biema Endowment Fund, the Arthur Vining Davis Foundations, the Japan Foundation, and the Starr Foundation. The symposium was held April 13-14, 2012, in Washington.
504
a| Includes bibliographical references and index.
520
a| During the early modern period in Japan, peace and prosperity allowed elite and popular arts and culture to flourish in Edo (Tokyo) and Kyoto. The historic first showing outside Japan of Itō Jakuchū's thirty-scroll series titled Colorful Realm of Living Beings (c. 1757-1766) in 2012 prompted a reimagining of artists and art making in this context. These essays call attention to Jakuchū's spectacular series as well as to works by a range of contemporary artists. Selected contributions address issues of professional roles, including copying and imitation, display and memorialization, and makers' identities. Some explore the new form of painting, ukiyo-e, in the context of the urban society that provided its subject matter and audiences; others discuss the spectrum of amateur and professional Edo pottery and interrelationships between painting and other media. Together, they reveal the fluidity and dynamism of artists' identities during a time of great significance in the country's history.--Provided by publisher.
650
0
a| Art, Japanese
y| Edo period, 1600-1868
v| Congresses.
=| ^A138571
650
0
a| Ukiyoe
v| Congresses.
=| ^A62442
651
0
a| Japan
x| Social life and customs
y| 1600-1868
v| Congresses.
=| ^A102850
650
7
a| Art, Japanese.
2| fast
0| (OCoLC)fst00816467
650
7
a| Art, Japanese
x| Edo period.
2| fast
0| (OCoLC)fst01711011
650
7
a| Manners and customs.
2| fast
0| (OCoLC)fst01007815
650
7
a| Ukiyoe.
2| fast
0| (OCoLC)fst01160404
651
7
a| Japan.
2| fast
0| (OCoLC)fst01204082
?| UNAUTHORIZED
648
7
a| 1600-1868
2| fast
655
7
a| Conference papers and proceedings.
2| lcgft
655
7
a| Conference papers and proceedings.
2| fast
0| (OCoLC)fst01423772
700
1
a| Lippit, Yukio,
d| 1970-
e| editor.
=| ^A719596
710
2
a| Center for Advanced Study in the Visual Arts (U.S.)
e| organizer.
=| ^A161025
710
2
a| National Gallery of Art (U.S.)
e| publisher,
e| organizer.
=| ^A35795
710
2
a| Yale University Press,
e| distributor.
=| ^A916381
830
0
a| Studies in the history of art (Washington, D.C.).
p| Symposium series
v| 80.
=| ^A161023
949
i| 30372016681857
o| jjlm
960
o| 1
s| 70.00
t| Joyner48
u| JAPP
z| USD
596
a| 1
998
a| 4882870
999
a| N7353.5 .A785 2018
w| LC
c| 1
i| 30372016681857
d| 9/6/2018
e| 7/13/2018
l| JGES
m| JOYNER
r| Y
s| Y
t| JGESBK
u| 7/12/2018
x| BOOK
z| JSTACKS
o| .STAFF. jjlm