LEADER 04222cam 2200649 i 4500001 on1015280043 003 OCoLC 005 20180727091546.0 008 171127t20182018dcua b f101 0 eng 010 2017055984 019 1004904884 020 9780300214673 |q(hardcover) 020 0300214677 |q(hardcover) 035 (Sirsi) 40028271103 035 40028271103 035 (OCoLC)1015280043 |z(OCoLC)1004904884 040 DGPO/DLC |beng |erda |cDLC |dOCLCO |dOCLCF |dERASA |dYDX |dOSU |dUtOrBLW 042 pcc 043 a-ja--- 050 00 N7353.5 |b.A785 2018 082 04 759.952 |223 086 0 SI 8.2:ED 6 245 04 The artist in Edo / |cedited by Yukio Lippit. 264 1 Washington, D.C. : |bNational Gallery of Art, Washington, |c[2018] 264 2 New Haven ;London : |bDistributed by Yale University Press, |c[2018] 264 4 |c©2018 300 viii, 295 pages : |billustrations (some color) ; |c29 cm. 336 text |btxt |2rdacontent 336 still image |bsti |2rdacontent 337 unmediated |bn |2rdamedia 338 volume |bnc |2rdacarrier 490 1 Studies in the history of Art ; |v80.Symposium papers ; |vLVII 500 "This volume was produced by the Center for Advanced Study in the Visual Arts and the Publishing Office, National Gallery of Art, Washington." 500 Proceedings of the symposium "The Artist in Edo," organized by the Center for Advanced Study in the Visual Arts, National Gallery of Art, and the Freer Gallery of Art and the Arthur M. Sackler Gallery, Smithsonian Institution, and sponsored by the Anne van Biema Endowment Fund, the Arthur Vining Davis Foundations, the Japan Foundation, and the Starr Foundation. The symposium was held April 13-14, 2012, in Washington. 504 Includes bibliographical references and index. 520 During the early modern period in Japan, peace and prosperity allowed elite and popular arts and culture to flourish in Edo (Tokyo) and Kyoto. The historic first showing outside Japan of Itō Jakuchū's thirty-scroll series titled Colorful Realm of Living Beings (c. 1757-1766) in 2012 prompted a reimagining of artists and art making in this context. These essays call attention to Jakuchū's spectacular series as well as to works by a range of contemporary artists. Selected contributions address issues of professional roles, including copying and imitation, display and memorialization, and makers' identities. Some explore the new form of painting, ukiyo-e, in the context of the urban society that provided its subject matter and audiences; others discuss the spectrum of amateur and professional Edo pottery and interrelationships between painting and other media. Together, they reveal the fluidity and dynamism of artists' identities during a time of great significance in the country's history.--Provided by publisher. 650 0 Art, Japanese |yEdo period, 1600-1868 |vCongresses. |=^A138571 650 0 Ukiyoe |vCongresses. |=^A62442 651 0 Japan |xSocial life and customs |y1600-1868 |vCongresses. |=^A102850 650 7 Art, Japanese. |2fast |0(OCoLC)fst00816467 650 7 Art, Japanese |xEdo period. |2fast |0(OCoLC)fst01711011 650 7 Manners and customs. |2fast |0(OCoLC)fst01007815 650 7 Ukiyoe. |2fast |0(OCoLC)fst01160404 651 7 Japan. |2fast |0(OCoLC)fst01204082 |?UNAUTHORIZED 648 7 1600-1868 |2fast 655 7 Conference papers and proceedings. |2lcgft 655 7 Conference papers and proceedings. |2fast |0(OCoLC)fst01423772 700 1 Lippit, Yukio, |d1970- |eeditor. |=^A719596 710 2 Center for Advanced Study in the Visual Arts (U.S.) |eorganizer. |=^A161025 710 2 National Gallery of Art (U.S.) |epublisher, |eorganizer. |=^A35795 710 2 Yale University Press, |edistributor. |=^A916381 830 0 Studies in the history of art (Washington, D.C.). |pSymposium series |v80. |=^A161023 949 |i30372016681857 |ojjlm 960 |o1 |s70.00 |tJoyner48 |uJAPP |zUSD 596 1 998 4882870