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LEADER 04055cam 2200433I 4500
001
ocm00608283
005
20141212093553.0
008
730423s1949 nyuafg b 000 0 eng u
010
a| 48009749
035
a| (Sirsi) o00608283
035
a| (OCoLC)608283
040
c| WSU
d| ERE
d| m.c.
d| UtOrBLW
041
1
a| eng
a| ger
049
a| EREM
090
a| MT224.B132
b| E88
100
1
a| Bach, Carl Philipp Emanuel,
d| 1714-1788,
e| author,
e| composer.
=| ^A496731
240
1
0
a| Versuch über die wahre Art das Clavier zu spielen.
l| English
=| ^A496731
245
1
0
a| Essay on the true art of playing keyboard instruments /
c| by Carl Philipp Emanuel Bach ; translated and edited by William J. Mitchell, associate professor of music, Columbia University.
260
a| New York :
b| W.W. Norton & Company,
c| [1949]
300
a| xiii, 449 pages, 2 unnumbered leaves of plates :
b| illustrations, portrait, facsimiles, music ;
c| 24 cm
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
504
a| Bibliography: pages 446-449.
520
a| The first complete English translation of C.P.E. Bach's instruction book, incorporating all of Bach's alterations, additions, and footnotes into the main text. The incorporations are identified in the editor's notes.
505
0
a| Part I : 1. Fingering -- 2. Embellishments : General ; The appoggiatura ; The trill ; The turn ; The mordent ; The compound appoggiatura ; The slide ; The snap ; The elaboration of fermate -- 3. Performance -- Part II : 4. Intervals and their signatures -- 5. Thorough bass : The triad (I) ; The triad (II) ; The chord of the sixth (I) ; The chord of the sixth (II) ; The diminished triad ; The augmented triad ; The six-four chord (I) ; The six-four chord (II) ; The four-three chord (I) ; The four-three chord (II) ; The six-five chord (I) ; The six-five chord (II) ; The chord of the second (I) ; The chord of the second (II) ; The five-two chord ; The five-four-two chord ; The three-two chord ; The chord of the seventh (I) ; The chord of the seventh (II) ; The seven-six chord ; The seven-four chord ; The chord of the major seventh (I) ; The chord of the major seventh (II) ; The chord of the ninth (I) ; The chord of the ninth (II) ; The nine-six chord ; The nine-four chord ; The nine-seven chord ; The five-four chord -- 6. Accompaniment : The unison ; One-part accompaniment for the left hand ; The organ point ; Appoggiaturas ; Syncopated notes ; The dotted compound appoggiatura ; The dotted slide ; Performance ; Closing cadences ; The fermata ; Some refinements of accompaniment ; Imitation ; Some precautions of accompaniment ; The need for figured basses ; Passing tones ; Chords that precede their bass notes ; The recitative ; Changing notes ; Bass themes -- 7. Improvisation : The free fantasia.
650
0
a| Piano
x| Instruction and study
v| Early works to 1800.
=| ^A311850
650
0
a| Clavichord
x| Instruction and study
v| Early works to 1800.
=| ^A20934
650
0
a| Harpsichord
x| Instruction and study
v| Early works to 1800.
=| ^A1237976
650
0
a| Musical accompaniment
v| Early works to 1800.
=| ^A1065614
700
1
a| Mitchell, William J.
q| (William John),
d| 1906-1971,
e| editor,
e| translator.
=| ^A646609
901
a| Huener, Thomas : MUSC 5887
b| MUSC 5887 : Huener, Thomas
919
a| BOOK
596
a| 3
998
a| 44705
999
a| MT224.B132 E88
w| LC
c| 1
i| 30372005116071
d| 4/20/2021
e| 4/19/2021
f| 7/1/2016
g| 2
l| MCS
m| JMUSIC
n| 12
q| 3
r| Y
s| Y
t| MCSSBK
u| 4/30/1992
x| BOOK
z| MCIRC
o| .STAFF. 0
999
a| MT224.B132 E88
w| LC
c| 2
i| 310372000473154
d| 10/23/2022
e| 11/14/2016
f| 7/8/2016
g| 3
l| MRE
m| JMUSIC
n| 30
q| 12
r| Y
s| Y
t| MRESBK
u| 4/30/1992
x| BOOK
z| MREFCOLL
o| .STAFF. not found in Ref coll -jjab 4/25/19
999
a| MT224.B132 E88
w| LC
c| 3
i| 30372017160109
d| 11/7/2023
e| 5/9/2023
f| 5/16/2024
g| 2
l| MST
m| JMUSIC
n| 3
q| 2
r| Y
s| Y
t| MGESBK
u| 5/2/2019
x| BOOK
z| MCIRC
o| .STAFF. Morris gift added copy -jjab 5/2/19
999
a| MT224.B132 E88
w| LC
c| 4
i| 30372017171577
d| 5/10/2021
e| 3/2/2021
f| 5/16/2024
g| 1
l| MST
m| JMUSIC
n| 1
r| Y
s| Y
t| MGESBK
u| 8/27/2020
x| BOOK
z| MCIRC
o| .STAFF. jjab