||Introduction: presupposing the stage -- Extending credit and the Henry IV plays -- Differentiating collaboration: protest and playwriting and Sir Thomas More -- Trading in tongues: language lessons and Englishmen for my money -- The place of the present: making time and The roaring girl -- Epilogue: the place of The spectator.
|Local note||Electronic reproduction. Ann Arbor, MI : ProQuest, 2016. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries.|
|Bibliography note||Includes bibliographical references and index.|
|Source of description||Description based on print version record.|
|Issued in other form||Print version: Levine, Nina S. Practicing the city : early modern London on stage. New York : Fordham University Press, 2016 9780823267866|