ECU Libraries Catalog
Librarian View
LEADER 03352cam 2200373 a 4500
001
ocm22710309
005
20141212092036.0
008
901023s1991 enkaf b 001 0 eng
010
a| 90022249
020
a| 0198161484
035
a| (Sirsi) o22710309
035
a| (OCoLC)22710309
040
a| DLC
c| DLC
d| UKM
d| ERE
d| UtOrBLW
041
1
a| eng
h| ger
049
a| EREM
050
0
0
a| ML410.B4
b| D213 1991
082
0
0
a| 780/.92
2| 20
100
1
a| Dahlhaus, Carl,
d| 1928-1989.
=| ^A112104
240
1
0
a| Ludwig van Beethoven und seine Zeit.
l| English
=| ^A112104
245
1
0
a| Ludwig van Beethoven :
b| approaches to his music /
c| Carl Dahlhaus ; translated by Mary Whittall.
260
a| Oxford :
b| Clarendon Press ;
a| New York :
b| Oxford University Press,
c| 1991.
300
a| xxviii, 254 pages, 16 pages of plates :
b| illustrations ;
c| 25 cm
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
500
a| Translation of: Ludwig van Beethoven und seine Zeit.
504
a| Includes bibliographical references and indexes.
505
0
0
t| Life and work.
t| The biographical method ;
t| Inner form and external intention ;
t| 'Intitulata bonaparte' ;
t| The aesthetic subject and the biographical subject --
t| Personal style and the individuality of single works --
t| 'Ingenium' and 'Wiz' --
t| The symphonic style.
t| The sublime and the 'Noble one' ;
t| The monumental ;
t| Temporal structures --
t| Issues in sonata form.
t| Motivic relationships ;
t| Models of sonata exposition ;
t| Introduction and coda ;
t| Form and transformation --
t| Theme and character.
t| The dual concept of 'Theme' in the eighteenth century ;
t| Formal and aesthetic themes ;
t| Aesthetic logic ;
t| Rhythm and the 'Metrical foot' ;
t| 'Moral characters' --
t| The 'Underlying idea' --
t| Form as idea.
t| 'Obbligato accompaniment' and 'Durchbrochene arbeit' ;
t| The 'Motives of the variation' ;
t| A forgotten formal idea --
t| The 'New path' --
t| Fidelio.
t| Idyll and utopia ;
t| Musical symbolism and motives of reminiscence --
t| Church music and the religion of art --
t| 'Subthematicism' --
t| Late works.
t| What is a late work? ;
t| 'Con alcune licenze' ;
t| Abstraction ;
t| 'The magic of association' ;
t| Ambiguity ;
t| Lyricism and motivic working.
520
a| Many books have been written about Beethoven. But it is rare to find one that seeks an alternative between the fragmentation found in most specialized studies and the superficial overview typical of popular biography. In this volume, the author, one of the century's leading musicologists, combines interpretations of individual works that focus on issues of composition and musical history, with excursions into the musical aesthetics of the period around 1800; an age that was not only a "classical" period in the history of the arts but also one in that aesthetics carved itself a place in the center of philosophical attention. The theme of the book is the reconstruction of Beethoven's "musical thinking" from the evidence in the works themselves and their context in the history of ideas.
600
1
0
a| Beethoven, Ludwig van,
d| 1770-1827
x| Criticism and interpretation.
=| ^A18609
919
a| BOOK
596
a| 3
998
a| 433698
999
a| ML410.B4 D213 1991
w| LC
c| 1
i| 30372006126822
d| 9/12/2022
e| 9/6/2022
f| 6/22/2018
g| 4
l| MCOS
m| JMUSIC
n| 55
q| 7
r| Y
s| Y
t| MCOSBK
u| 3/16/1992
x| BOOK
z| MCIRC
o| .STAFF. enhanced 5/14/21 -jmusictech