LEADER 03680cam 2200517 i 4500001 ocn869066515 003 OCoLC 005 20141017083950.0 008 140117s2014 caua b 001 0 eng 010 2014001936 019 863790011863790030 020 9781611323108 (hardback : alk. paper) 020 161132310X (hardback : alk. paper) 020 9781611323115 (paperback : alk. paper) 020 1611323118 (paperback : alk. paper) 020 |z9781611323122 (institutional ebook) 020 |z9781611327045 (consumer ebook) 035 (Sirsi) 99961452794 035 99961452794 035 (OCoLC)869066515 |z(OCoLC)863790011 040 DLC |beng |erda |cDLC |dYDXCP |dBTCTA |dBDX |dNGU |dVRC |dYAM |dCDX |dUtOrBLW 042 pcc 050 00 AM7 |b.B353 2014 082 00 069/.5 |223 084 ART059000BUS100000EDU021000 |2bisacsh 100 1 Bedford, Leslie, |eauthor. |=^A1254991 245 14 The art of museum exhibitions : |bhow story and imagination create aesthetic experiences / |cLeslie Bedford. 264 1 Walnut Creek, California : |bLeft Coast Press, |c[2014] 300 168 pages : |billustrations ; |c24 cm 336 text |2rdacontent 337 unmediated |2rdamedia 338 volume |2rdacarrier 520 "Leslie Bedford, former director of the highly regarded Bank Street College museum leadership program, expands the museum professional's vision of exhibitions beyond the simple goal of transmitting knowledge to the visitor. Her view of exhibitions as interactive, emotional, embodied, imaginative experiences opens a new vista for those designing them. Using examples both from her own work at the Boston Children's Museum and from other institutions around the globe, Bedford offers the museum professional a bold new vision built around narrative, imagination, and aesthetics, merging the work of the educator with that of the artist. It is important reading for all museum professionals"-- |cProvided by publisher. 504 Includes bibliographical references (pages 149-157) and index. 500 Machine generated contents note: Preface Introduction Part I Contemporary Exhibition Theories Chapter 1 Exhibitions as Education Chapter 2 Alternative Exhibition Models Part II Constructing a New Model Chapter 3 Narrative Chapter 4 Imagination Chapter 5 Aesthetic Experience Part III Working in the Subjunctive Mood Chapter 6 Objects: Meanings and Metaphors Chapter 7 Uniqueness: The Power of the Specific Chapter 8 Mediated Experience Chapter 9 Narrativity Chapter 10 Exhibition Design Chapter 11 Embodied Imagination Conclusion Notes References Index About the Author. 505 0 Introduction -- Part I. Contemporary Exhibition Theories. Chapter 1. Exhibitions as education ; Chapter 2. Alternative exhibition models -- Part II. Constructing a New Model. Chapter 3. Story ; Chapter 4. Imagination ; Chapter 5. John Dewey and art as experience -- Part III. Working in the Subjunctive Mood. Chapter 6. Creating and experiencing the exhibition medium -- Conclusion -- Notes -- References -- Index -- About the author. 650 0 Museum exhibits |xPsychological aspects. |=^A406100 650 0 Aesthetics. |=^A16988 650 7 ART / Museum Studies. |2bisacsh 650 7 BUSINESS & ECONOMICS / Museum Administration & Museology. |2bisacsh 650 7 EDUCATION / Non-Formal Education. |2bisacsh 949 |i30372013812307 |ojjlm 960 |o1 |s26.95 |tJoyner48 |uJHIS |zUSD 596 1 998 3708133