LEADER 02518cam 2200433 a 4500001 ocn852259468 003 OCoLC 005 20141212063222.0 008 130703s2013 be a b 001 0 eng d 020 9789490693909 (pbk.) 020 9490693901 (pbk.) 035 (Sirsi) 40023142811 035 40023142811 035 (OCoLC)852259468 040 ERASA |beng |cERASA |dNhCcYBP |dUtOrBLW 043 e-be--- 050 4 NB673.B78 |bA4 2013 082 04 730.92 |223 100 1 Bruyckere, Berlinde de, |d1964- |=^A1175107 245 10 We are all flesh / |cBerlinde De Bruyckere, J.M. Coetzee. 250 0 Special ed. 260 [Ghent] : |bMER. Paper Kunsthalle, |c©2013. 300 139 pages : |bcolor illustrations ; |c25 cm 336 text |2rdacontent 337 unmediated |2rdamedia 338 volume |2rdacarrier 500 "157/5, special edition"-- on cover page. 504 Includes bibliographical references and indexes. 520 8 Berlinde De Bruyckere's work prompts the viewer to respond. That is why it has a particular appeal for writers of literature: they are fascinated by the compositions of distorted parts of humans and horses that refer to horror and comfort, to a cruel death and the sublime. De Bruyckere empties the bodies. Through holes, the public notices the darkness of a world inside that both appeals and repels. There is space around her work that resonates and in which writers can indulge in creativity -not by writing about objects, but by juxtaposing the work with creative texts. The author does not remove meanings of the work by trying to explain it, but rather adds to its meaning by responding to art with art. Nobel Prize winner J.M. Coetzee rises to this challenge: together with De Bruyckere he has chosen fragments from his impassioned and unsettling novels that are full of great beauty. Thus, the two present a composition of texts and images that from inside illuminates the dark world of their work. 600 10 Bruyckere, Berlinde de, |d1964- |=^A1175107 650 0 Sculpture, Modern |y21st century. |=^A692521 650 0 Figure sculpture, Belgian. |=^A1181072 650 0 Art and literature. |=^A19647 700 1 Coetzee, J. M., |d1940- |=^A95907 949 |i30372013920910 |ojjlm 960 |o1 |s35.00 |tJoyner48 |uJAPP |zUSD 596 1 998 3433125