The first four notes : Beethoven's fifth and the human imagination / by Matthew Guerrieri.
Author/creator |
Guerrieri, Matthew |
Format | Book and Print |
Publication Info | New York : Alfred A. Knopf, 2012. |
Description | xiii, 359 pages ; 25 cm |
Subject(s) |
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Contents | Revolutions -- Fates -- Infinities -- Associations -- Secret remedies -- Earthquakes -- Samples. |
Abstract | The author reaches back before Beethoven's time to examine what might have influenced him in writing his Fifth Symphony, and forward into our own time to describe the ways in which the Fifth has, in turn, asserted its influence. He uncovers possible sources for the famous opening notes in the rhythms of ancient Greek poetry and certain French Revolutionary songs and symphonies. The author confirms that, contrary to popular belief, Beethoven was not deaf when he wrote the Fifth. He traces the Fifth's influence in China, Russia, and the United States (Emerson and Thoreau were passionate fans) and shows how the masterpiece was used by both the Allies and the Nazis in World War II. |
Bibliography note | Includes bibliographical references (pages 325-347) and index. |
LCCN | 2012019886 |
ISBN | 9780307593283 |
ISBN | 0307593282 |
Available Items
Library | Location | Call Number | Status | Item Actions | |
Music | Music Stacks | ML410.B42 G94 2012 | ✔ Available | Place Hold |