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LEADER 05464cam 2200541 i 4500
001
ocn754733785
003
OCoLC
005
20141212053117.0
008
120319s2013 enka b 001 0 eng
010
a| 2012010549
020
a| 9780415694230 (hardback)
020
a| 041569423X (hardback)
020
z| 9780203097816 (ebook)
020
a| 0203097815 (ebook)
020
a| 9780203097816 (ebook)
035
a| (Sirsi) 40021783209
035
a| 40021783209
035
a| (OCoLC)754733785
040
a| DLC
b| eng
e| rda
c| DLC
d| YDX
d| BTCTA
d| UKMGB
d| YDXCP
d| OCLCO
d| YNK
d| CDX
d| BWX
d| COO
d| IAD
d| UtOrBLW
042
a| pcc
043
a| a-ja---
050
0
0
a| NC1764.8.H57
b| M36 2013
082
0
0
a| 741.5/952
2| 23
084
a| CGN004050
a| HIS003000
2| bisacsh
245
0
0
a| Manga and the representation of Japanese history /
c| edited by Roman Rosenbaum.
264
1
a| London ;
a| New York :
b| Routledge,
c| 2013.
300
a| xvii, 273 pages :
b| illustrations ;
c| 24 cm.
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
490
1
a| Routledge contemporary Japan series ;
v| 44
520
a| "This edited collection explores how graphic art and in particular Japanese manga represent Japanese history. The articles explore the representation of history in manga from disciplines that include such diverse fields as literary studies, politics, history, cultural studies, linguistics, narratology, and semiotics. Despite this diversity of approaches all academics from these respective fields of study agree that manga pose a peculiarly contemporary appeal that transcends the limitation imposed by traditional approaches to the study and teaching of history. The representation of history via manga in Japan has a long and controversial historiographical dimension. Thereby manga and by extension graphic art in Japanese culture has become one of the world's most powerful modes of expressing contemporary historical verisimilitude. The strategy of combining the narrative elements of writing with graphic art, the extensive narrative story-manga and its Western equivalent of the graphic novel, reflects the relatively new soft power of 'global' media, which have the potential to display history in previously unimagined ways. Boundaries of space and time in manga become as permeable as societies and cultures across the world. Each of the articles in this book investigates the authorship of history by looking at various different attempts to render Japanese history through the popular cultural media of the story-manga. As Carol Gluck, Tessa Morris-Suzuki, Susan Napier and others have shown, it has never been easy to encapsulate the complex narrative of emperor-based cyclical Japanese historical periods. The contributors to this volume elaborate how manga and by extension graphic art rewrites, reinvents and re-imagines the historicity and dialectic of bygone epochs in postwar/contemporary Japan. "--
c| Provided by publisher.
520
a| "This edited collection explores how graphic art and in particular Japanese manga represent Japanese history"--
c| Provided by publisher.
504
a| Includes bibliographical references and index.
505
0
0
t| Introduction: The Representation of Japanese History in Manga /
r| Roman Rosenbaum --
t| Sabotaging the Rising Sun: Representing History in Tezuka Osamu's Phoenix /
r| Rachael Hutchinson --
t| Reading Shōwa History through Manga: Astro Boy as the Avatar of Postwar Japanese Culture /
r| Roman Rosenbaum --
t| Representations of Gendered Violence in Manga: The Case of Enforced Military Prostitution /
r| Erik Ropers --
t| Maruo Suehiro's Planet of the Jap: Revanchist Fantasy or War Critique? /
r| Peter C. Luebke and Rachel DiNitto --
t| Making History Herstory: Nelson's Son and Siebold's Daughter in Japanese Shōjo Manga /
r| Ulrich Heinze --
t| Heroes and Villains: Manchukuo in Yasuhiko Yoshikazu's Rainbow Trotsky /
r| Emer O'Dwyer --
t| Making History: Manga Between Kyara and Historiography /
r| Matthew Penney --
t| Postmodern Representations of the Pre-modern Edo Period /
r| Paul Sutcliffe --
t| "Land of Kami, Land of the Dead": Paligenesis and the Aesthetics of Religious Revisionism in Kobayashi Yoshinori's Neo-Gōmanist Manifesto: On Yasukuni /
r| James Mark Shields --
t| Hating Korea, Hating the Media: Manga Kenkanryū and the Graphical (Mis-) Representation of Japanese History in the Internet Age /
r| Raffael Raddatz --
t| The Adaptation of Chinese History into Japanese Popular Culture: A Study of Japanese Manga, Animated Series and Video Games Based on The Romance of the Three Kingdoms /
r| Benjamin Wai-Ming Ng --
t| Towards a Summation: How Do Manga Represent History? /
r| Roman Rosenbaum.
650
0
a| History in art.
=| ^A104840
650
0
a| Comic books, strips, etc.
z| Japan
x| Themes, motives.
=| ^A99279
650
0
a| Art and society
z| Japan
x| History
y| 20th century.
=| ^A30365
650
0
a| Art and society
z| Japan
x| History
y| 21st century.
=| ^A30365
650
7
a| COMICS & GRAPHIC NOVELS / Manga / General.
2| bisacsh
650
7
a| HISTORY / Asia / General.
2| bisacsh
700
1
a| Rosenbaum, Roman
e| editor.
=| ^A1138584
830
0
a| Routledge contemporary Japan series ;
v| 44.
=| ^A886308
949
i| 30372013889115
o| jjlm
960
o| 1
s| 135.00
t| Joyner48
u| JAPP
z| USD
596
a| 1
998
a| 3288732
999
a| NC1764.8 .H57 M36 2013
w| LC
c| 1
i| 30372013889115
d| 1/19/2024
e| 1/19/2024
k| CHECKEDOUT
l| JGES
m| JOYNER
n| 11
q| 2
r| M
s| Y
t| JGESBK
u| 3/18/2013
x| BOOK
z| JSTACKS
o| .STAFF. jjlm