LEADER 03059cam 2200385 a 4500001 ocm37608211 003 OCoLC 005 20141212052722.0 008 970904r19971997ilu b 001 0deng 010 97036372 020 157999010X 020 9781579990107 035 (Sirsi) o37608211 035 (OCoLC)37608211 040 DLC |beng |cDLC |dBAKER |dBTCTA |dYDXCP |dGEBAY |dBDX |dSGB |dGBVCP |dOCLCO |dERE |dUtOrBLW 049 EREM 050 00 ML3186 |b.B79 1997 082 00 782.27/0941/09034 |221 100 1 Bradley, Ian C. |=^A80997 245 10 Abide with me : |bthe world of Victorian hymns / |cIan Bradley. 260 Chicago : |bGIA Publications, |c©1997. 300 xvii, 299 pages ; |c23 cm 336 text |2rdacontent 337 unmediated |2rdamedia 338 volume |2rdacarrier 500 Originally published: London : SCM Press, 1997. 504 Includes bibliographical references (pages 275-279) and indexes. 505 0 Preface -- 'Praise, my soul, the king of heaven': the genesis of Victorian hymnody -- 'The playing of the merry organ, sweet singing in the choir': musical and cultural influences -- 'There is a book, who runs may read': the making of Victorian hymn-books -- 'For all the saints who from their labours rest': Victorian hymn-writers -- 'Tell me the old, old story': themes in Victorian hymns -- 'Sweet and low': Victorian hymn tunes and their composers -- 'Hold the fort for I am coming': American imports and gospel songs -- 'Lead, kindly light': how the Victorians viewed hymns -- 'Abide with me': Victorian hymns in the twentieth century -- Appendix I: 100 Victorian hymns that should be in any self-respecting modern hymnal -- Appendix II: Victorian hymns and tunes that deserve rehabilitation -- Appendix III: The top fifteen Victorian hymn tune composers. 520 Examines the development of hymn-singing from a primarily private devotional practice in 1837 to a mainstay of public worship and, more remarkably, a component of popular culture by 1900. How did hymns manage, without help from recordings, radio or television, to permeate all levels of British society within one lifetime? Why were new hymns eagerly welcomed by members of all denominations and even by non-churchgoers? The author discusses the Victorian hymn from literary, theological, and cultural perspectives. In addition to tracing the importance of Victorian hymns in nineteenth-century novels and culture, the author investigates their significance in churches, their public popularity, and as forms of parody and as literary references. The book also speculates upon the political and sociological implications of Victorian hymnody. 650 0 Hymns, English |zEngland |y19th century |xHistory and criticism. |=^A40167 949 |ojjnb 994 C0 |bERE 596 3 998 3279627