| Contents |
"That lifeless thing the living fear" : freedom, community, and the Gothic body in The Giaour / Matthew J.A. Green -- Sardanapalus, spectacle, and the empire state / Andrew M. Stauffer -- Bryon's Venetian masque of the French Revolution : sovereignty, terror, and the geopolitics of Marino Faliero and The Two Foscari / Joshua David Gonsalves -- "Awake to terror" : the impact of Italy on Byron's depiction of freedom's battles / Jane Stabler -- "Something not yet made good" : Byron's Cain, Godwin and Marry Shelley's Falkner / Tilottama Rajan -- Manfred's new Promethean agon / Young-ok An -- "Like the sheeted fire from heaven" : transcendence and resentment in Marino Faliero / Ian Dennis -- "And freedom's fame finds wings on every wind" : Byron, Switzerland, and the poetics of freedom / Simon Bainbridge -- Byron : consistency, change, and the Greek War / Stephen Minta -- "I have a penchant for black" : race and orphic dismemberment in Byron's The Deformed Transformed and J.M. Coetzee's Disgrace / Johathan Gross -- Byronic terror and impossible exchange : from Werner to Baudrillard's The Spirit of Terrorism / Piya Pal-Lapinski |
