LEADER 02321cam  22004934a 4500001    ocn659306072
003    OCoLC
005    20141212070054.0
008    100822s2011    ncuabf   b    001 0 eng c
010      2010035880
020    9780822348962 (cloth : alk. paper)
020    0822348969 (cloth : alk. paper)
020    9780822349204 (pbk. : alk. paper)
020    0822349205 (pbk. : alk. paper)
029 1  AU@ |b000045987209
029 1  NZ1 |b13630639
035    (Sirsi) o659306072
035    (OCoLC)659306072
040    NcD/DLC |cDLC |dYDX |dYDXCP |dPUL |dCDX |dBWX |dGZM |dIG# |dERE |dUtOrBLW
042    pcc
049    EREE
050 00 N6537.P5 |bB69 2011
082 00 709.2 |222
100 1  Bowles, John Parish, |d1968- |=^A1055102
245 10 Adrian Piper : |brace, gender, and embodiment / |cJohn P. Bowles.
260    Durham [N.C.] : |bDuke University Press, |c2011.
300    xiv, 335 pages, 16 unnumbered pages of plates : |billustrations (some color), color maps ; |c25 cm
336    text |2rdacontent
337    unmediated |2rdamedia
338    volume |2rdacarrier
504    Includes bibliographical references and index.
505 0  Introduction: Adrian Piper's performance of race and the moral question of racism -- Contingent and universal : Adrian Piper and the minimalist ideal -- Hypothesis : modernism and the woman artist's studio -- May 1970 : art and activism -- Catalysis : feminist art and experience -- Food for the spirit : transcendence and desire -- "Acting like a man" : the mythic being and black feminism -- Conclusion: the mythic being and the aesthetics of direct address.
600 10 Piper, Adrian, |d1948- |xCriticism and interpretation. |=^A1043664
650  0 Race in art. |=^A964650
650  0 Gender identity in art. |=^A409789
949    N6537.P5 |bB69 2011 |hJOYNER48 |ojmpl |i30372016015411
938    Coutts Information Services |bCOUT |n14816213
938    YBP Library Services |bYANK |n3616693
938    Blackwell Book Service |bBBUS |n3609588
938    Ingram |bINGR |n9780822348962
994    C0 |bERE
596    1
998    2521029