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LEADER 03310cam 2200385 a 4500
001
969340
005
20141212032057.0
008
950316s1995 ctua b 001 0 eng
010
a| 95013537
020
a| 0300056427 (hc : alk. paper)
035
a| (Sirsi) o32237536
035
a| (OCoLC)32237536
040
a| DLC
c| DLC
d| UKM
d| NPE
d| UtOrBLW
049
a| NPEE
a| EREM
050
4
a| ML410.I94
b| B87 1995
082
0
0
a| 780/.92
2| 20
092
a| 780.92
b| B91a
100
1
a| Burkholder, J. Peter
q| (James Peter)
=| ^A192062
245
1
0
a| All made of tunes :
b| Charles Ives and the uses of musical borrowing /
c| J. Peter Burkholder.
246
3
0
a| Charles Ives and the uses of musical borrowing
260
a| New Haven :
b| Yale University Press,
c| ©1995.
300
a| xii, 554 pages :
b| illustrations ;
c| 24 cm
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
504
a| Includes bibliographical references (pages 505-520) and indexes.
505
0
0
t| Ives's uses of existing music --
t| Emulating models and learning musical styles --
t| The art of paraphrase --
t| Modeling and paraphrase in the first and second symphonies --
g| Cumulative settings --
t| The development and significance of cumulative settings --
t| Modeling and stylistic allusion to evoke a style or genre --
g| Patchwork and extended paraphrase --
t| Programmatic quotation --
t| Quodlibet and collage --
t| The significance of Ives's uses of existing music --
g| Index of Ives's compositions.
520
a| Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of "quotations" in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one. Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, Burkholder contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing.
600
1
0
a| Ives, Charles,
d| 1874-1954
x| Criticism and interpretation.
=| ^A636056
600
1
0
a| Ives, Charles,
d| 1874-1954
v| Sources.
=| ^A636056
590
a| Little-294153--305130046703W
590
a| Little-294153--305130046703W
596
a| 2 3
998
a| 1716317
999
a| ML410.I94 B87 1995
w| LC
c| 1
i| 30372009260750
d| 12/16/2019
e| 10/8/2019
f| 3/7/2024
g| 7
l| MST
m| JMUSIC
n| 27
p| $29.75
q| 2
r| Y
s| Y
t| MGESBK
u| 12/13/1995
x| BOOK
z| MCIRC
o| .STAFF. 0