LEADER 02979cam  22004334a 4500001    ocn236082672
003    OCoLC
005    20141212013043.0
008    080721s2009    miu      b   s001 0 eng  
010      2008032083
020    9780472116751 (cloth : alk. paper)
020    0472116754 (cloth : alk. paper)
020    9780472033218 (pbk. : alk. paper)
020    0472033212 (pbk. : alk. paper)
035    (Sirsi) o236082672
035    (OCoLC)236082672
040    DLC |cDLC |dYDXCP |dC#P |dBWX |dUtOrBLW
049    EREM
050 00 ML3508.8.N48 |bR34 2009
082 00 781.65/3 |222
100 1  Raeburn, Bruce Boyd, |d1948- |=^A489306
245 10 New Orleans style and the writing of American jazz history / |cBruce Boyd Raeburn.
260    Ann Arbor : |bUniversity of Michigan Press, |c©2009.
300    x, 342 pages ; |c23 cm.
336    text |2rdacontent
337    unmediated |2rdamedia
338    volume |2rdacarrier
490 1  Jazz perspectives
504    Includes bibliographical references (pages 323-326) and index.
505 0  Hot threshold: a leftist writer and the righteous cause -- Discovering New Orleans style: the writers of the wax wing -- A declaration of independents: noncommercial music and collector discology -- Reviving New Orleans style: what did Bunk and Ory say? -- Jazz schism: the perils of intellectualization -- Let the foul air out: the fun faction asserts itself -- The city that care forgot remembers: the apotheosis of jazz in New Orleans.
520    This book describes how the recognition of New Orleans jazz as a discrete style affected the writing of American jazz history. Those who participated in the awakening of American jazz scholarship were partisans of a community of "hot" record collectors. As an international network of these collectors formed between the 1920s and 1934, they provided a mechanism for the circulation of historical information on jazz. This led to the emergence of a jazz literati writing for magazines such as Down Beat, Esquire, the New Republic, and Jazz Information. It was not until later when writers like Charles Edward Smith and William Russell emphasized "New Orleans style" in works such as Jazzmen (1939) and The Jazz Record Book (1942), that jazz was "born in New Orleans." This book traces the conceptualization of jazz history derived from Jazzmen to jazz's ultimate refuge in New Orleans and its integration into the cultures which it celebrated.
650  0 Jazz |zLouisiana |zNew Orleans |xHistory and criticism. |=^A361878
830  0 Jazz perspectives (Ann Arbor, Mich.) |=^A574400
994    92 |bERE
910    PromptCat
980    2009-03-18 |b26.95 |d0 |e25.6 |f658404 |h40016471151 |iML 3508.8.N48 R34 2009
596    3
998    1484079