ECU Libraries Catalog
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LEADER 04117cam 22004694a 4500
001
ocn122973092
003
OCoLC
005
20141211195618.0
008
070330s2007 nhuag b 001 0 eng
010
a| 2007012629
020
a| 9781584656258 (cloth : alk. paper)
020
a| 1584656255 (cloth : alk. paper)
035
a| (Sirsi) o122973092
035
a| (OCoLC)122973092
040
a| DLC
c| DLC
d| BAKER
d| BTCTA
d| C#P
d| YDXCP
d| UtOrBLW
049
a| EREM
050
0
0
a| ML3918.O64
b| H34 2007
082
0
0
a| 306.4/84
2| 22
100
1
a| Hall-Witt, Jennifer.
=| ^A721412
245
1
0
a| Fashionable acts :
b| opera and elite culture in London, 1780-1880 /
c| Jennifer Hall-Witt.
260
a| Durham :
b| University of New Hampshire Press ;
a| Hanover :
b| Published by University Press of New England,
c| ©2007.
300
a| ix, 390 pages :
b| illustrations, music ;
c| 25 cm.
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
490
1
a| Becoming modern
504
a| Includes bibliographical references (pages 305-366) and index.
505
0
a| Act one: Georgian patterns. Overture: fashionable acts -- Opera as an "event": the aesthetics of audience behavior -- A subscription culture: gender and the sociopolitical foundations of opera-going -- To see and to be seen: opera and the "theater of the great" -- Act two: Victorian adaptations. Overture to act two -- The commercialization of the opera: entrepreneurs and the expansion of the public -- The refashioning of fashionable society: gender and the transformation of operatic culture -- Listening in new ways: audience behavior and the cultural politics of opera reviewing -- Finale: opera and the reform of elite culture -- Appendixes. Prices at the King's/Her Majesty's theatre, 1780s-1880 ; Prices at Covent Garden, 1847-1879 ; London's Italian opera managers, 1705-1878 ; Additional tables.
520
a| In a reassessment of British aristocratic culture, the author demonstrates how the transformation of audience behavior at London's Italian opera--from the sociable, interactive spectatorship of the 1780s to the quiet, polite listening of the 1870s--served as a sensitive barometer of the aristocracy's changing authority. She explores how the opera participated in the patronage culture and urban sociability of the British elite prior to the Reform Act of 1832 when the opera served as the central meeting place for the ruling class during the parliamentary session. The vertical tiers of boxes at the opera highlighted not only the gendered nature of elite political culture, but also those features of aristocratic society most vulnerable to critique by political and moral reformers. The author shows how the elite adjusted its behavior in public venues, like the opera, partly in response to such criticisms. Offering a revised chronology for the decline of the British aristocracy based on such cultural compromises, she reveals how the very adaptations that helped the landed elite to survive as the ruling class into the Victorian period also undermined its ability to maintain its power in the long run.
650
0
a| Opera
x| Social aspects
z| England
z| London
y| 18th century.
=| ^A19937
650
0
a| Opera
x| Social aspects
z| England
z| London
y| 19th century.
=| ^A19937
650
0
a| Opera
x| Political aspects
z| England
z| London
y| 18th century.
=| ^A19937
650
0
a| Opera
x| Political aspects
z| England
z| London
y| 19th century.
=| ^A19937
650
0
a| Elite (Social sciences)
z| England
z| London
x| History
y| 18th century.
=| ^A4755
650
0
a| Elite (Social sciences)
z| England
z| London
x| History
y| 19th century.
=| ^A4755
650
0
a| Aristocracy (Social class)
z| England
z| London
x| Social life and customs
y| 18th century.
=| ^A171305
650
0
a| Aristocracy (Social class)
z| England
z| London
x| Social life and customs
y| 19th century.
=| ^A171305
830
0
a| Becoming modern.
=| ^A486624
994
a| C0
b| ERE
596
a| 3
998
a| 1092814
999
a| ML3918.O64 H34 2007
w| LC
c| 1
i| 30372013234262
d| 7/17/2014
e| 10/26/2007
f| 7/6/2018
g| 3
l| MST
m| JMUSIC
n| 1
q| 1
r| Y
s| Y
t| MGESBK
u| 9/11/2007
x| BOOK
z| MCIRC
o| .STAFF. enhanced 2/5/24 -jjab