| Contents |
Marlowe and Shakespeare : repositioning the question of sources and influence -- Unfelt imaginations : influence and characterization in The massacre at Paris, Titus Andronicus, and Richard III -- Hero and Leander and Venus and Adonis : artistic individuality and the ideology of containment -- Edward II, Richard II, the will to play, and an aesthetic of ambiguity -- For a tricksy word / defy the matter : the influence of The Jew of Malta on The merchant of Venice -- Marlowe's Tamburlaine plays, Shakespeare's Henry V, and the primacy of an artistic consciousness -- Making the haunt his : Dido, Queen of Carthage as a precursor to Antony and Cleopatra -- Glutted with conceit : imprints of Doctor Faustus on Macbeth and The tempest -- Conclusion : Marlovian incentives. |
