LEADER 02365cam  22005174a 4500001    ocm53840029
003    OCoLC
005    20141211193109.0
008    031030s2004    maua     b    001 0 eng  
010      2003066827
015    GBA4Y5538 |2bnb
015    GBA616459 |2bnb
016 7  006955031 |2Uk
016 7  013386002 |2Uk
019    56731798
020    0262182319 (alk. paper)
020    9780262182317 (alk. paper)
020    0262681587 (pbk.)
020    9780262681582 (pbk.)
029 1  NLGGC |b259010030
029 1  YDXCP |b2047618
035    (Sirsi) o53840029
035    (OCoLC)53840029
040    DLC |cDLC |dBAKER |dUKM |dNLGGC |dIAK |dYDXCP |dBTCTA |dLVB |dERE |dUtOrBLW
042    pcc
049    EREE
050 00 TR185 |b.R67 2004
082 00 770/.1 |222
084    21.42 |2bcl
100 1  Rosler, Martha. |=^A359714
245 10 Decoys and disruptions : |bselected writings, 1975-2001 / |cMartha Rosler.
260    Cambridge, Mass. : |bMIT Press in association with International Center of Photography, New York, |c©2004.
300    xii, 390 pages : |billustrations ; |c24 cm
336    text |2rdacontent
337    unmediated |2rdamedia
338    volume |2rdacarrier
500    "An October book."
504    Includes bibliographical references and index.
505 0  I. Situated in context. For an art against the mythology of everyday life ; Lookers, buyers, dealers, and makers: thoughts on audience ; Video: shedding the utopian moment. -- II. Strategies of production. The figure of the artist, the figure of the woman ; Lee Friedlander, an exemplary modern photographer ; Notes on quotes. -- III. Photography as image and trace. In, around, and afterthoughts (on documentary photography) ; Post-documentary, post-photography? ; Wars and metaphors ; Image simulations, computer manipulations: some considerations. -- IV. Censorship and power. Theses on defunding ; The suppression agenda for art ; Place, position, power, politics.
650  0 Photography |xPhilosophy. |=^A228554
650  0 Photography |xSocial aspects. |=^A1006634
994    C0 |bERE
945    1707395
596    1
998    1066577