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LEADER 03440cam 22004454a 4500
001
ocm53434616
003
OCoLC
005
20141211183743.0
008
031107s2004 nyua b 001 0 eng
010
a| 2003024587
020
a| 1580461352 (hardcover : alk. paper)
035
a| (Sirsi) o53434616
035
a| (OCoLC)53434616
040
a| DLC
c| DLC
d| BAKER
d| UtOrBLW
042
a| pcc
049
a| EREM
050
0
0
a| ML651
b| .S642 2004
082
0
0
a| 786.3/092
2| 22
100
1
a| Speerstra, Joel.
=| ^A603606
245
1
0
a| Bach and the pedal clavichord :
b| an organist's guide /
c| Joel Speerstra ; foreword by Hans Davidsson.
260
a| Rochester, NY :
b| University of Rochester Press,
c| 2004.
300
a| xiii, 205 pages :
b| illustrations ;
c| 24 cm.
336
a| text
2| rdacontent
337
a| unmediated
2| rdamedia
338
a| volume
2| rdacarrier
490
1
a| Eastman studies in music,
x| 1071-9989 ;
v| [26]
504
a| Includes bibliographical references (pages 187-198) and index.
505
0
0
g| Part one.
t| Source studies.
t| The historical pedal clavichord --
t| J.S. Bach's trio sonatas: a reception history of a rumor --
t| Reconstructing the Gerstenberg pedal clavichord --
t| J.S. Bach and the clavichord: a reception history of a technique --
g| Part two.
t| Performance practice studies.
t| Performance practice at the pedal clavichord --
t| Musica poetica and figural notation --
t| J.S. Bach's Passacaglia in C minor, BWV 582: a case study --
t| The pedal clavichord and the organ in dialogue --
g| Appendix.
t| Friederich Conrad Griepenkerl's preface to J.S. Bach's Chromatic Fantasy and Fugue (1819).
520
a| At the heart of this book are some extraordinary recent experiments from the Goteborg Organ Art Center (GOArt) at Goteberg University. The Johann David Gerstenberg pedal clavichord from 1766, now in the Leipzig University museum, was documented and reconstructed; the new copy was then used for several years as a living instrument for organ students and teachers to experience. On the basis of these experiments and experiences, the book explores, in new and artful ways, Johann Sebastian Bach's keyboard technique, a technique preserved by his first biographer, J.N. Forkel (1802), and by Forkel's own student, Griepenkerl. It also sifts and weighs the assumptions and claims made for and against the clavichord and pedal clavichord over two and a half centuries: by Bach's son, Carl Philipp Emanuel, by such noted Bach scholars as Walter Emery and Robert Marshall, and by sharp-eared music lovers, including one of the most perceptive (and one of the few from his era to have actually encountered a clavichord and recognized its unique qualities), George Bernard Shaw.
600
1
0
a| Bach, Johann Sebastian,
d| 1685-1750.
t| Organ music.
=| ^A495339
650
0
a| Pedal clavichord.
=| ^A607798
650
0
a| Organ music
x| Interpretation (Phrasing, dynamics, etc.)
=| ^A1006269
650
0
a| Performance practice (Music)
x| History
y| 18th century.
=| ^A255331
600
1
0
a| Bach, Johann Sebastian,
d| 1685-1750.
t| Passacaglia,
m| organ,
n| BWV 582,
r| C minor.
=| ^A500254
700
1
a| Davidsson, Hans,
e| writer of foreword.
?| UNAUTHORIZED
830
0
a| Eastman studies in music ;
v| v. 26.
=| ^A494093
994
a| C0
b| ERE
596
a| 3
998
a| 1015130
999
a| ML651 .S642 2004
w| LC
c| 1
i| 30372013459687
d| 5/2/2018
e| 12/3/2017
f| 6/28/2018
g| 3
l| MST
m| JMUSIC
n| 5
p| $70.00
r| Y
s| Y
t| MGESBK
u| 8/30/2005
x| BOOK
z| MCIRC
o| .STAFF. enhanced 11/21/22 -jjab