Format: Musical Score / Genre: Early works to 1800 - ECU Libraries Catalog Search Results

L'art de toucher le clavecin = Die Kunst das Clavecin zu spielen = The art of playing the harpsichord
by Couperin, François, 1668-1733
1933
38 pages
Format: Musical Score and Print

✔ Available View 2 Items

Library	Location	Call Number	Status
Music	Closed Stacks - Ask at Circulation Desk	MT252.C82 A7	✔ Available
Music	Closed Stacks - Ask at Circulation Desk	MT252.C82 A7	✔ Available

L'art de toucher le clavecin = The art of playing the harpsichord
by Couperin, François, 1668-1733
1974
1 score (84 pages)
Format: Musical Score and Print

✔ Available Music - Music Stacks

Call Number: MT252.C82 A7 1974

Ayres and dialogues (to be sung to the theorbo-lvte or base-violl)
by Gamble, John, d. 1687
1656
1 score ([12], 78 [i.e. 82], [1] p.)
Format: Electronic and Musical Score

✔ Available

Call Number: Access Content Online

Barbara Ployers und Franz Jakob Freystädtlers Theorie- und Kompositionsstudien bei Mozart
1989
1 score (xvi pages, 160 pages) : commentary (50 pages)
Format: Musical Score and Print

✔ Available View 2 Items

Library	Location	Call Number	Status
Music	Music Stacks	M3 .M896 SER. 10 WG. 30 BD. 2	✔ Available
Music	Music Stacks	M3 .M896 SER. 10 WG. 30 BD. 2 KOMM.	✔ Available

Beiträge zur Generalbass- und Satzlehre, Kontrapunktstudien, Skizzen und Entwürfe
by Bach, Johann Sebastian, 1685-1750
2011
1 score (xiv pages, 250 pages)
Format: Musical Score and Print

✔ Available Music - Music Stacks

Call Number: M3 .B1133 SER. 9 SUPPL.

Bononcini's ayres in 3 parts : as almands, corrants, preludes, gavotts, sarabands, and jiggs : with a thorough bass for the harpsichord
by Bononcini, Giovanni Maria, 1642-1678
1700
3 parts ([20] leaves)
Format: Electronic and Musical Score

✔ Available

Call Number: Access Content Online

Cadenzas, embellishments, and compositional studies
by Bach, Carl Philipp Emanuel, 1714-1788
2019
1 score (xvii, 283 pages)
Format: Musical Score and Print

✔ Available Music - Music Stacks

Call Number: M3 .B103 2005 SER. 8 V. 1

Cantus [Altus, Tenor, Bassus, Quintus] : madrigales to 3, 4, and 5 parts : apt for viols and voices
by East, Michael, ca. 1580-1648
1604
5 v.
Format: Electronic and Musical Score

✔ Available

Call Number: Multiple Online Resources Available

Cantus, songs and fancies, to three, four, or five parts, both apt for voices and viols : with a brief introduction to musick, as is taught by Thomas Davidson, in the Musick-School of Aberdene
1666
1 vocal score ([100] p.)
Format: Electronic and Musical Score

✔ Available

Call Number: Access Content Online

Cantus, songs and fancies, to three, four, or five parts, both apt for voices and viols : with a brief introduction to musick, as is taught in the Musick-School of Aberdeen
1682
1 vocal score ([115] p.)
Format: Electronic and Musical Score

✔ Available

Call Number: Access Content Online

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L'art de toucher le clavecin = Die Kunst das Clavecin zu spielen = The art of playing the harpsichord

L'art de toucher le clavecin = The art of playing the harpsichord

Ayres and dialogues (to be sung to the theorbo-lvte or base-violl)

Barbara Ployers und Franz Jakob Freystädtlers Theorie- und Kompositionsstudien bei Mozart

Beiträge zur Generalbass- und Satzlehre, Kontrapunktstudien, Skizzen und Entwürfe

Bononcini's ayres in 3 parts : as almands, corrants, preludes, gavotts, sarabands, and jiggs : with a thorough bass for the harpsichord

Cadenzas, embellishments, and compositional studies

Cantus [Altus, Tenor, Bassus, Quintus] : madrigales to 3, 4, and 5 parts : apt for viols and voices

Cantus, songs and fancies, to three, four, or five parts, both apt for voices and viols : with a brief introduction to musick, as is taught by Thomas Davidson, in the Musick-School of Aberdene

Cantus, songs and fancies, to three, four, or five parts, both apt for voices and viols : with a brief introduction to musick, as is taught in the Musick-School of Aberdeen

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