Call Number: N - Fine Arts / Collection: Joyner Stacks / Format: Archival & Manuscript Material / Language: English

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Deep consideration : seeing through invisible obstacles
by Abernethy, Gerald Herbert
2003
Format: Theses and dissertations and Archival & Manuscript Material

✔ Available View 2 Items

Library	Location	Call Number	Status
Joyner	University Archives	ASK AT SPECIAL COLLECTIONS DESK	✔ Available
Joyner	General Stacks	ND237.A24 A3 2003	✔ Available

Architectural weaving : visually and aesthetically an architectural component
by Abramson, Elda Helen
1974
Format: Theses and dissertations and Archival & Manuscript Material

✔ Available View 2 Items

Library	Location	Call Number	Status
Joyner	University Archives	ASK AT SPECIAL COLLECTIONS DESK	✔ Available
Joyner	General Stacks	NK2995 .A27 1974	✔ Available

Forms and forces : an island unto ourselves
by Adams-Grant, Kelly Laurier
1996
Format: Theses and dissertations and Archival & Manuscript Material

✔ Available View 2 Items

Library	Location	Call Number	Status
Joyner	University Archives	ASK AT SPECIAL COLLECTIONS DESK	✔ Available
Joyner	General Stacks	ND237.A27 A35 1996	✔ Available

Exploration of urban land patterns and architecture for a stylistic evolvement in painting
by Adams, James Kelly
1970
Format: Theses and dissertations and Archival & Manuscript Material

✔ Available View 2 Items

Library	Location	Call Number	Status
Joyner	University Archives	ASK AT SPECIAL COLLECTIONS DESK	✔ Available
Joyner	General Stacks	ND1288 .A32 1970	✔ Available

Searching for the spaces in between : an exploration of mixed-media sculpture
by Adcock, Adam
2007
Format: Theses and dissertations and Archival & Manuscript Material

✔ Available View 2 Items

Library	Location	Call Number	Status
Joyner	University Archives	ASK AT SPECIAL COLLECTIONS DESK	✔ Available
Joyner	General Stacks	NB237.A32 A35 2007	✔ Available

Tequitqui art of sixteenth-century Mexico : an expression of transculturation
by Aguilar Moreno, José Manuel, 1961-
1999
Format: Archival & Manuscript Material

✔ Available Joyner - General Stacks

Call Number: NX514.A1 A485 1999A

Development of subject matter in painting
by Arisman, Charles Franklin, 1939-
1964
Format: Theses and dissertations and Archival & Manuscript Material

✔ Available View 2 Items

Library	Location	Call Number	Status
Joyner	University Archives	ASK AT SPECIAL COLLECTIONS DESK	✔ Available
Joyner	General Stacks	ND1288 .A74 1964	✔ Available

Color association for interior design
by Ashley, Charles Rodney
1972
Format: Theses and dissertations and Archival & Manuscript Material

✔ Available View 2 Items

Library	Location	Call Number	Status
Joyner	University Archives	ASK AT SPECIAL COLLECTIONS DESK	✔ Available
Joyner	General Stacks	NK2115.5.C6 B A83 1972	✔ Available

A study of woodcut printing effects employing five Japanese rice papers and a limited selection of inks
by Barefoot, Jeanne Poole, 1941-
1966
Format: Theses and dissertations and Archival & Manuscript Material

✔ Available View 2 Items

Library	Location	Call Number	Status
Joyner	University Archives	ASK AT SPECIAL COLLECTIONS DESK	✔ Available
Joyner	General Stacks	NE1095 .B37 1966	✔ Available

The use of applied texture as decorative force in painting
by Barone, Jenny Susan
1973
Format: Theses and dissertations and Archival & Manuscript Material

✔ Available View 2 Items

Library	Location	Call Number	Status
Joyner	University Archives	ASK AT SPECIAL COLLECTIONS DESK	✔ Available
Joyner	General Stacks	ND1505 .B37 1973	✔ Available

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Deep consideration : seeing through invisible obstacles

Architectural weaving : visually and aesthetically an architectural component

Forms and forces : an island unto ourselves

Exploration of urban land patterns and architecture for a stylistic evolvement in painting

Searching for the spaces in between : an exploration of mixed-media sculpture

Tequitqui art of sixteenth-century Mexico : an expression of transculturation

Development of subject matter in painting

Color association for interior design

A study of woodcut printing effects employing five Japanese rice papers and a limited selection of inks

The use of applied texture as decorative force in painting

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