Contents |
How different was Brahms's playing style from our own? / Bernard D. Sherman -- Performing Brahms's music: clues from his letters / Styra Avins -- Joachim's violin playing and the performance of Brahms's string music / Clive Brown -- Metronome marks, timings, and other period evidence regarding tempo in Brahms / Bernard D. Sherman -- Performance issues in A German Requiem / Michael Musgrave -- A German Requiem to words of holy scripture for soloists, choir, and orchestra (organ ad libitum), from Der deutsche Gesangverein / Siegfried Ochs, introduced and translated by Michael Musgrave -- Fanny Davies and Brahms's late chamber music / George S. Bozarth -- Flexible tempo and nuancing in orchestral music: understanding Brahms's view of interpretation in his second piano concerto and fourth symphony / Robert Pascall and Philip Weller -- Brahms in the Meiningen tradition: his symphonies and Haydn variations in the markings by Fritz Steinbach / Edited by Walter Blume. Excerpt: the first symphony, introduced and translated by Walter Frisch -- In search of Brahms's first symphony: Steinbach, the Meiningen tradition, and the recordings of Hermann Abendroth / Walter Frisch -- Early trends in the performance of Brahms's piano music / Michael Musgrave -- Performing Brahms in the style hongrois / Jonathan Bellman -- Brahms's musical world: balancing the evidence / Robert Philip. |