| Other author/creator | Larsen, Robert L., 1934- editor. |
| Included Work | Container of (expression): Mozart, Wolfgang Amadeus, 1756-1791. Entführung aus dem Serail. O wie ängstlich, o wie feurig Vocal score. |
| Included Work | Container of (expression): Mozart, Wolfgang Amadeus, 1756-1791. Entführung aus dem Serail. Frisch zum Kampfe! Vocal score. |
| Included Work | Container of (expression): Mozart, Wolfgang Amadeus, 1756-1791. Don Giovanni. Dalla sua pace. Vocal score. |
| Included Work | Container of (expression): Mozart, Wolfgang Amadeus, 1756-1791. Don Giovanni. Mio tesoro. Vocal score. |
| Included Work | Container of (expression): Mozart, Wolfgang Amadeus, 1756-1791. Così fan tutte. Aura amorosa. Vocal score. |
| Included Work | Container of (expression): Mozart, Wolfgang Amadeus, 1756-1791. Zauberflöte. Dies Bildnis ist bezaubernd schön. Vocal score. |
| Included Work | Container of (expression): Rossini, Gioacchino, 1792-1868. Barbiere di Siviglia. Ecco ridente in cielo. Vocal score. |
| Included Work | Container of (expression): Donizetti, Gaetano, 1797-1848. Elisir d'amore. Quanto è bella Vocal score. |
| Included Work | Container of (expression): Donizetti, Gaetano, 1797-1848. Elisir d'amore. Furtiva lagrima. Vocal score. |
| Included Work | Container of (expression): Donizetti, Gaetano, 1797-1848. Favorite. Ange si pur. Vocal score. |
| Included Work | Container of (expression): Donizetti, Gaetano, 1797-1848. Don Pasquale. Com'è gentil Vocal score. |
| Included Work | Container of (expression): Flotow, Friedrich von, 1812-1883. Martha. Ach! so fromm, ach! so traut. Vocal score. |
| Included Work | Container of (expression): Nicolai, Otto, 1810-1849. Lustigen Weiber von Windsor. Horch, die Lerche singt im Hain Vocal score. |
| Included Work | Container of (expression): Verdi, Giuseppe, 1813-1901. Rigoletto. Questa o quella per me pari sono. Vocal score. |
| Included Work | Container of (expression): Verdi, Giuseppe, 1813-1901. Rigoletto. Donna è mobile. Vocal score. |
| Included Work | Container of (expression): Verdi, Giuseppe, 1813-1901. Traviata. De' miei bollenti spiriti Vocal score. |
| Included Work | Container of (expression): Gounod, Charles, 1818-1893. Faust. Salut, demeure chaste et pure. Vocal score. |
| Included Work | Container of (expression): Bizet, Georges, 1838-1875. Pêcheurs de perles. Je crois entendre encore. Vocal score. |
| Included Work | Container of (expression): Bizet, Georges, 1838-1875. Carmen. Fleur que tu m'avais jetée. Vocal score. |
| Included Work | Container of (expression): Tchaikovsky, Peter Ilich, 1840-1893. Evgeniĭ Onegin. Kuda, vy udalilisʹ. Vocal score. |
| Included Work | Container of (expression): Massenet, Jules, 1842-1912. Manon. En fermant les yeux je vois. Vocal score. |
| Included Work | Container of (expression): Lalo, Édouard, 1823-1892. Roi d'Ys. Aubade. Vocal score. |
| Included Work | Container of (expression): Massenet, Jules, 1842-1912. Werther. Pourquoi me réveiller Vocal score. |
| Included Work | Container of (expression): Verdi, Giuseppe, 1813-1901. Falstaff. Dal labbro il canto. Vocal score. |
| Included Work | Container of (expression): Puccini, Giacomo, 1858-1924. Bohème. Che gelida manina. Vocal score. |
| Included Work | Container of (expression): Cilèa, Francesco, 1866-1950. Arlesiana. È la solita storia Vocal score. |
| Included Work | Container of (expression): Giordano, Umberto, 1867-1948. Fedora. Amor ti vieta. Vocal score. |
| Included Work | Container of (expression): Puccini, Giacomo, 1858-1924. Madama Butterfly. Amore o grillo. Vocal score. |
| Included Work | Container of (expression): Puccini, Giacomo, 1858-1924. Trittico. Gianni Schicchi. Firenze è come un albero fiorito. Vocal score. |
| Included Work | Container of (expression): Britten, Benjamin, 1913-1976. Paul Bunyan (1974). Inkslinger's song. Vocal score. |
| Included Work | Container of (expression): Weill, Kurt, 1900-1950. Street scene. Lonely house. Vocal score. |
| Included Work | Container of (expression): Menotti, Gian Carlo, 1911-2007. Saint of Bleecker Street. I know that you all hate me. Vocal score. |
| Included Work | Container of (expression): Barber, Samuel, 1910-1981. Vanessa. Outside this house. Vocal score. |
| Included Work | Container of (expression): Hoiby, Lee. Tempest. Be not afeard. Vocal score. |
| Series |
G. Schirmer opera anthology
G. Schirmer opera anthology. ^A282225
|
| Contents |
Die Entfuhrüng aus dem Serail. O wie ängstlich ; Die Entfuhrüng aus dem Serail. Frisch zum Kampfe! ; Don Giovanni. Dalla sua pace ; Don Giovanni. Il mio tesoro ; Così fan tutte. Un'aura amorosa ; Die Zauberflöte. Dies Bildnis ist bezaubernd schön / Mozart -- Il barbiere di Siviglia. Ecco ridente in cielo / Rossini -- L'elisir d'amore. Quanto è bella ; L'elisir d'amore. Una furtiva lagrima ; La favorita. Spirto gentil ; Don Pasquale. Com'è gentil / Donizetti -- Martha. Ach, so fromm (M'apparì tutt'amor) / Flotow -- Die lustigen Weiber von Windsor. Horch, die Lerche / Nicolai -- Rigoletto. Questa o quella ; Rigoletto. La donna è mobile ; La traviata. De' miei bollenti spiriti / Verdi -- Faust. Salut! demeure chaste et pure / Gounod -- Les pêcheurs de perles. Je crois entendre encore ; Carmen. La fleur que tu m'avais jetée / Bizet -- Eugene Onegin. Kuda, kuda, kuda vy udalilis' / Tchaikovsky -- Manon. En fermant les yeux / Massenet -- Le roi d'Ys. Vainement, ma bien-aimée / Lalo -- Werther. Pourquoi me réveiller / Massenet -- Falstaff. Dal labbro il canto / Verdi -- La bohème. Che gelida manina / Puccini -- L'arlesiana. È la solita storia del pastore / Cilèa -- Fedora. Amor ti vieta / Giordano -- Madama Butterfly. Amore o grillo ; Gianni Schicchi. Firenze è come un albero fiorito / Puccini -- Paul Bunyan. Inkslinger's song / Britten -- Street scene. Lonely house / Weill -- The saint of Bleecker street. I know that you all hate me / Menotti -- Vanessa. Outside this house / Barber -- The tempest. Be not afeard / Hoiby -- |
| Contents |
E la solita storia del pastore {L'Arlesiana} -- Ecco ridente in cielo {Il Barbiere di Siviglia} -- Che gelida manina {La Boheme} -- La fleur que tu m'avais jetee {Carmen} -- Un' aura amorosa {Cosi fan tutte} -- Dalla sua pace; Il mio tesoro {Don Giovanni} -- Com'e gentil {Don Pasquale}-- Quanto e bella; Una furtiva lagrima {L'Elisir d'amore} -- O wie angstlich; Frisch zum Kampfe! {Die Entfuhrung aud dem Serail} -- Lenski's aria {Eugene Onegin} -- Dal labbro il canto {Falstaff} -- Salut! demeure chaste et pure {Faust} -Spirito gentil {La Favorita} Amor ti vieta {Fedora} -- Firenze e come un albero fiorito {Gianni Schicchi} -- Horch, die Lerche {Die Lustigen Weiber von Windsor} -- Amore o grillo {Madama Butterfly} -- En fermant les yeux {Manon} -- Ach, so fromm {Martha} -- Inkslinger's song {Paul Bunyan} -- Je crois entendre encore {Les Pecheurs de Perles} -- Questa o quella; La donna e mobile {Rigoletto} -- Vainemant, ma bien-aimee {Le Roi d'Ys} -- I know that you all hate me {The Saint of Bleecker Street} -- Lonely house {Street scene} -- Be not afeard {The Tempest} - De' miei bollenti spiriti {La Traviata} -- Outside this house {Vanessa} -- Pourquoi me reveiller {Werther} -- Dies Bildnis ist bezaubernd schon {Die Zauberflote}. |
| Abstract |
"It has been a pleasure to reflect on the enormous repertory that the world of opera affords, and to choose from it a group of important and representative arias for soprano, mezzo-soprano, tenor, baritone, and bass to be included in these anthologies of opera arias. In making these selections, I confess that I have not applied a constant criterion or standard, but rather have chosen to alter my perspective with each volume. All of these collections are intended to be of particular use to students and teachers of voice. Thus the soprano volume, for example, concentrates on lyric arias, rather than venturing very far into die rich material for coloratura, spinto, or dramatic voices.The other volumes include the lyric arias most often sung by student voices, but also inelude other signifleant arias for a voice-type. For instance, I can't imagine a young baritone who would not be inspired by looking through die wonder of the Prologue from I Pagliacci within the confines of his practice room, or a tenor who doesn't anticipate with excitement the day when "Che gelida manina" may fit his voice like a glove. On the other hand, I have omitted some important repertory, such as many of the great Verdi baritone arias, because diey are widely available, and are certainly die province of only the most experienced performer. Instead, I have chosen pieces of value not previously found in such collections, including arias in English for each voice-type. Each aria has been painstakingly researched in preparing these new editions, creating what I believe will be an eminently credible and useful source for this music. There are countless incidents where notes or words have been corrected to create a more substantiated presentation dian in previous editions. Throughout the collections, one will find many spots where traditional cadenzas are recommended. Appropriate appoggiaturas, as defined by conservative application of tradition, are indicated as well. There are instances where an entirely revised piano reduction, more representative of the full score, has been created. These anthologies are for all of us who must remain students of our art throughout our lifetimes. I'm a vocal coach and opera conductor who believes firmly in exposing die gifted performer to the firmament, being sure diat he or she understands that each star must be attained at its own special time, to be plucked and polished again and again throughout a musical career. Among these arias may be the first one ever studied, but if it' s by someone destined to be a real singer, it will remain in mind and heart forever." - Robert L. Larsen. |
| Local note | Little--305140056428 |
| General note | Opera arias; acc. arr. for piano. |
| Language | English, French, German, Italian, and Russian (Cyrillic) words; also printed separately as texts with English translations and synopses (p. 6-23). |
| Genre/form | Art music. |
| Genre/form | Excerpts. |
| Genre/form | Operas. |
| Genre/form | Songs. |
| Genre/form | Vocal scores. |
| Genre/form | Songs. |
| Genre/form | Art music. |
| Genre/form | Excerpts. |
| Genre/form | Vocal scores. |
| ISBN | 0793504023 (paperback) |
| ISBN | 9780793504022 (paperback) |
| UPC |
073999810998 |
| Publisher number | HL50481099 Hal Leonard Pub. Corp. |
| Stock number | Hal Leonard Corp, Attn: Joel Aldinger Po Box 13819 7777 W Bluemound rd, Milwaukee, WI, USA, 53213, (414)7743630-6293 SAN 239-250X |
