| Contents |
Two paradigms of orality: the office and the mass / László Dobszay -- Salamanca to Sydney: a newly-discovered manuscript of the Lamentations of Jeremiah / Jane Morlet Hardie -- Gregorian responsories based on texts from the Book of Judith / Ruth Steiner -- Modes and modality: a unifying concept for Western chant? / John Caldwell -- Réôme, Cluny, Dijon / Barbara Haggh and Michel Huglo -- The first dictionary of music: the vocabularium musicum of ms Monte Cassino 318 / Alma Santosuosso -- The twilight of troping / Theodore Karp -- To trope or not to trope?: or, how was that English Gloria performed? / William John Summers -- Why Marian motets on non-Marian tenors? : an answer / Rebecca A. Baltzer -- Consecrating the house: the Carmelites and the office of the dedication of a church / James John Boyce -- A historical context for Guido d'Darezzo's use of distinctio / Dolores Pesce -- The musical text of the introit Resurrexi / David Hughes -- Chants for four masses in the Editio princeps of the Pontificale romanum (1485) / James Borders -- The double office at St. Peter's Basilica on Dominica de Gaudete / Joseph Dyer -- Philip the Chancellor and the conductus prosula: 'motetish' works from the School of Notre-Dame / Thomas B. Payne -- Vox-littera-cantus: aspects of voice and vocality in medieval song / Philip Weller -- Ambrosian processions of the saints / Terence Bailey -- Patterns and paleography: revisions, variants, errors, and methods / Andrew Hughes -- Notker in Aquitaine / Alejandro Enrique Planchart -- The Historia Sancti Magni by Hermannus Contractus (1013-1054) / David Hiley. |
