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Antipo[n]arij ad vsu[m] Sa[rum]. Volume[n] secu[n]du[m] : vulgo pars estiualis nu[n]cupata
by Catholic Church
1520
lxxj [i.e. cxlii], 12 unnumbered pages, cxcj [i.e. ccxlxxxii], 2 unnumbered pages, l [i.e. c], clxxix [i.e. ccclviii] pages
Format: Electronic and Musical Score

✔ Available

Call Number: Multiple Online Resources Available

The first set of English madrigals to 3, 4, 5, and 6 voices:
by Wilbye, John, 1574-1638
1598
6 part-books (188 p.).
Format: Electronic and Musical Score

✔ Available

Call Number: Access Content Online

Cantus [Altus, Tenor, Bassus, Quintus] : madrigales to 3, 4, and 5 parts : apt for viols and voices
by East, Michael, ca. 1580-1648
1604
5 v.
Format: Electronic and Musical Score

✔ Available

Call Number: Multiple Online Resources Available

Psalmes, songs and sonnets : some solemne, others ioyfull, framed to the life of the vvords : fit for voyces or viols of 3.4.5. and 6. parts
by Byrd, William, 1539 or 1540-1623
1611
6 parts
Format: Electronic and Musical Score

✔ Available

Call Number: Access Content Online

Songs of 3.4.5. and 6. parts
by Tomkins, Thomas, 1572-1656
1622
1 score (152 unnumbered pages)
Format: Electronic and Musical Score

✔ Available

Call Number: Access Content Online

Catch that catch can, or, The musical companion : containing catches and rounds for three and four voyces : to which is now added a second book containing dialogues, glees, ayres, & ballads, &c., some for two, three, foure voyces
1667
1 score ([8], 88, [8], 89-231, [1] p.)
Format: Electronic and Musical Score

✔ Available

Call Number: Multiple Online Resources Available

The Saint turn'd curtezan, or, A new plot discover'd by a precious zealot of an assault and battery : design'd upon the body of a sanctify'd sister &c. ... to the tune of the Quakers ballad
1681
1 sheet
Format: Electronic and Musical Score

✔ Available

Call Number: Access Content Online

A musical entertainment perform'd on November XXII, 1683 : it being the festival of St. Cecilia, a great patroness of music, whose memory is annually honour'd by a public feast made on that day by the masters and lovers of music, as well in England as in foreign parts
by Purcell, Henry, 1659-1695
1684
1 score ([4], 40 p.)
Format: Electronic and Musical Score

✔ Available

Call Number: Access Content Online

The catch club, or, Merry companions : being a choice collection of the most diverting catches for three and four voices
by Purcell, Henry, 1659-1695
1690
2 v. of music ([2], 48 p., [2], 48 p.)
Format: Electronic and Musical Score

✔ Available

Call Number: Access Content Online

A song in the Lady in fashion
by Leveridge, Richard, 1670 or 1671-1758
1704
1 score (2 unnumbered leaves)
Format: Electronic and Musical Score

✔ Available

Call Number: Access Content Online

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Antipo[n]arij ad vsu[m] Sa[rum]. Volume[n] secu[n]du[m] : vulgo pars estiualis nu[n]cupata

The first set of English madrigals to 3, 4, 5, and 6 voices:

Cantus [Altus, Tenor, Bassus, Quintus] : madrigales to 3, 4, and 5 parts : apt for viols and voices

Psalmes, songs and sonnets : some solemne, others ioyfull, framed to the life of the vvords : fit for voyces or viols of 3.4.5. and 6. parts

Songs of 3.4.5. and 6. parts

Catch that catch can, or, The musical companion : containing catches and rounds for three and four voyces : to which is now added a second book containing dialogues, glees, ayres, & ballads, &c., some for two, three, foure voyces

The Saint turn'd curtezan, or, A new plot discover'd by a precious zealot of an assault and battery : design'd upon the body of a sanctify'd sister &c. ... to the tune of the Quakers ballad

A musical entertainment perform'd on November XXII, 1683 : it being the festival of St. Cecilia, a great patroness of music, whose memory is annually honour'd by a public feast made on that day by the masters and lovers of music, as well in England as in foreign parts

The catch club, or, Merry companions : being a choice collection of the most diverting catches for three and four voices

A song in the Lady in fashion

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